Neil Peart height - How tall is Neil Peart?
Neil Peart was born on 12 September, 1952 in Hamilton, Canada, is a Canadian drummer. At 68 years old, Neil Peart height is 6 ft 4 in (193.0 cm).
Now We discover Neil Peart's Biography, Age, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is He in this year and how He spends money? Also learn how He earned most of net worth at the age of 68 years old?
|Age||68 years old|
|Born||12 September 1952|
|Date of death||January 7, 2020,|
|Died Place||Santa Monica, CA|
We recommend you to check the complete list of Famous People born on 12 September. He is a member of famous Drummer with the age 68 years old group.
Neil Peart Weight & Measurements
|Body Measurements||Not Available|
|Eye Color||Not Available|
|Hair Color||Not Available|
Who Is Neil Peart's Wife?
His wife is Carrie Nuttall (m. 2000), Jacqueline Taylor (m. 1975–1998)
|Wife||Carrie Nuttall (m. 2000), Jacqueline Taylor (m. 1975–1998)|
Neil Peart Net Worth
He net worth has been growing significantly in 2018-19. So, how much is Neil Peart worth at the age of 68 years old? Neil Peart’s income source is mostly from being a successful Drummer. He is from Canada. We have estimated Neil Peart's net worth, money, salary, income, and assets.
|Net Worth in 2020||$1 Million - $5 Million|
|Salary in 2019||Under Review|
|Net Worth in 2019||Pending|
|Salary in 2019||Under Review|
|Source of Income||Drummer|
Neil Peart Social Network
|Wikipedia||Neil Peart Wikipedia|
Peart died from glioblastoma, an aggressive form of brain cancer, on January 7, 2020, in Santa Monica, California. He had been diagnosed three and a half years earlier, and the illness was a closely guarded secret in Peart's inner circle until his death. His family made the announcement on January 10.
Peart had been suffering from chronic tendinitis and shoulder problems. In January 2018, Alex Lifeson confirmed that Rush is "basically done". Peart remained friends with his former bandmates.
Peart authored seven non-fiction books, the latest released in September 2016.
On December 7, 2015, Peart announced his retirement from music in an interview with Drumhead Magazine, though bandmate Geddy Lee insisted Peart was quoted out of context, and suggested Peart was "simply taking a break". However, in January 2018, bandmate Alex Lifeson confirmed that Rush was retiring due to Peart's health issues. During his last years Peart lived in Santa Monica, California with his wife, Carrie Nuttall, and daughter. After a three and a half year illness, Peart died of glioblastoma on January 7, 2020, at age 67.
Peart announced his retirement in an interview in December 2015:
In a 2015 interview with Rolling Stone, Peart stated that he saw Democratic Party as the lesser evil: "For a person of my sensibility, you’re only left with the Democratic party."
Lately Olivia has been introducing me to new friends at school as 'My dad—He's a retired drummer.' True to say—funny to hear. And it does not pain me to realize that, like all athletes, there comes a time to ... take yourself out of the game. I would rather set it aside than face the predicament described in our song "Losing It" ...
Peart's drumming skill and technique are well-regarded by fans, fellow musicians, and music journalists. His influences were eclectic, ranging from Pete Thomas, John Bonham, Michael Giles, Ginger Baker, Phil Collins, Steve Gadd, Stewart Copeland, Michael Shrieve and Keith Moon, to fusion and jazz drummers Billy Cobham, Buddy Rich, Bill Bruford and Gene Krupa. The Who was the first group that inspired him to write songs and play the drums. Peart is distinguished for playing "butt-end out", reversing stick orientation for greater impact and increased rimshot capacity. "When I was starting out", Peart said, "if I broke the tips off my sticks I couldn't afford to buy new ones, so I would just turn them around and use the other end. I got used to it, and continue to use the heavy end of lighter sticks – it gives me a solid impact, but with less 'dead weight' to sling around."
Variety wrote: "Widely considered one of the most innovative drummers in rock history, Peart was famous for his state-of-the-art drum kits – more than 40 different drums were not out of the norm – precise playing style and on stage showmanship."
Peart worked with science fiction author Kevin J. Anderson to develop a novelization of Rush's 2012 album Clockwork Angels; the book was published by ECW Press. The two collaborated again on a loose sequel, Clockwork Lives, published in 2015. Snippets of the band's lyrics can be found throughout both stories.
Peart was noted for his distinctive in-concert drum solos, characterized by exotic percussion instruments and long, intricate passages in odd time signatures. His complex arrangements sometimes result in complete separation of upper- and lower-limb patterns; an ostinato dubbed "The Waltz" is a typical example. His solos were featured on every live album released by the band. On the early live albums (All the World's a Stage & Exit... Stage Left), the drum solo was included as part of a song. On all subsequent live albums through Time Machine 2011: Live in Cleveland, the drum solo has been included as a separate track. The Clockwork Angels Tour album includes three short solos instead of a single long one: two interludes played during other songs and one standalone. Similarly, the R40 Live album includes two short solos performed as interludes.
Peart's next book, Far and Away: A Prize Every Time, was published by ECW Press in May 2011. This book, which he worked on for two years, is formed around his traveling in North and South America. It tells how he found in a Brazilian town a unique combination of West African and Brazilian music. In 2014, a follow-up book, Far and Near: On Days like These, was published by ECW. It covers travels in North America and Europe. Another book, Far and Wide: Bring That Horizon to Me!, was published in 2016 and is based on his travels between stops on the R40 Live Tour of 2015.
In the mid-2010s, Peart acquired U.S. citizenship.
During the 2010–11 Time Machine Tour Peart used a new DW kit which was outfitted with copper-plated hardware and time machine designs to match the tour's steampunk themes. Matching Paragon cymbals with clock imagery were also used.
Peart received the following awards from DRUM! magazine for 2010:
After the release of Vapor Trails and his reunion with bandmates, Peart returned to work as a full-time musician. In the June 2009 edition of Peart's website's News, Weather, and Sports, titled "Under the Marine Layer", he announced that he and Nuttall were expecting their first child. Olivia Louise Peart was born later that year.
Peart appeared in concert with Rush in the 2009 film I Love You, Man, as well as a Funny or Die web short in which the film's main characters sneak into the band's dressing room.
Peart received the following awards from DRUM! magazine for 2009:
In early 2007, Peart and Cathy Rich again began discussing yet another Buddy tribute concert. At the recommendation of bassist Jeff Berlin, Peart decided to once again augment his swing style with formal drum lessons, this time under the tutelage of another pupil of Freddie Gruber, Peter Erskine, himself an instructor of Steve Smith. On October 18, 2008, Peart once again performed at the Buddy Rich Memorial Concert at New York's Hammerstein Ballroom. The concert has since been released on DVD.
Peart also had a brief cameo in the 2008 film Adventures of Power and in the DVD extra does a drum-off competition.
Peart received the following awards from DRUM! magazine for 2008:
On March 20, 2007 Peart revealed that Drum Workshop prepared a new set of red-painted DW maple shells with black hardware and gold "Snakes & Arrows" logos for him to play on the Snakes & Arrows Tour.
In 2007, Peart was ranked No. 2 (after Sting) on the now defunct magazine Blender's list of "worst lyricists in rock". In contrast, Allmusic called him "one of rock's most accomplished lyricists".
Peart had a brief cameo in the 2007 film Aqua Teen Hunger Force Colon Movie Film for Theaters, in which samples of his drumming were played.
Peart received the following awards from DRUM! magazine for 2007:
In April 2006, Peart took delivery of his third DW set, configured similarly to the R30 set, in a Tobacco Sunburst finish over curly maple exterior ply, with chrome hardware. He referred to this set, which he used primarily in Los Angeles, as the "West Coast kit". Besides using it on recordings with Vertical Horizon, he played it while composing parts for Rush's album, Snakes & Arrows. It featured a custom 23-inch bass drum; all other sizes remained the same as the R30 kit.
Three decades after Peart joined Rush the band found itself on its 30th anniversary tour. Released in September 2006, Roadshow: Landscape With Drums, A Concert Tour By Motorcycle details the tour both from behind Neil's drumkit and on his BMW R1150GS and R1200GS motorcycles.
Although Peart was sometimes assumed to be a "conservative" or "Republican" rock star, he has criticized the Republican Party by stating that the philosophy of the party is "absolutely opposed to Christ's teachings." In 2005 he described himself as a "left-leaning libertarian," and is often cited as a libertarian celebrity.
Peart's instructional DVD Anatomy of a Drum Solo is an in-depth examination of how he constructs a solo that is musical rather than indulgent, using his solo from the 2004 R30 30th anniversary tour as an example.
Peart was introduced to photographer Carrie Nuttall in Los Angeles by long-time Rush photographer Andrew MacNaughtan. They married on September 9, 2000. In early 2001, Peart announced to his bandmates that he was ready to return to recording and performing. The product of the band's return was the 2002 album Vapor Trails. At the start of the ensuing tour in support of the album, it was decided amongst the band members that Peart would not take part in the daily grind of press interviews and "meet and greet" sessions upon their arrival in a new city that typically monopolize a touring band's daily schedule. Peart has always shied away from these types of in-person encounters, and it was decided that exposing him to a lengthy stream of questions about the tragic events of his life was not necessary.
Peart played Zildjian A-series cymbals and Wuhan china cymbals until the early 2000s when he switched to Paragon, a line created for him by Sabian. In concert starting in 1987, Peart used an elaborate 360-degree drum kit that would rotate as he played different sections of the kit.
In the early 2000s, Peart began taking full advantage of the advances in electronic drum technology, primarily incorporating Roland V-Drums and continued use of samplers with his existing set of acoustic percussion. His digitally-sampled library of both traditional and exotic sounds expanded over the years with his music.
On August 10, 1997, soon after the conclusion of Rush's Test for Echo Tour, Peart's first daughter (and, at the time, his only child) Selena Taylor, 19, was killed in a single-car accident on Highway 401 near the town of Brighton, Ontario. His common-law wife of 23 years, Jacqueline Taylor, succumbed to cancer 10 months later on June 20, 1998. Peart attributes her death to the result of a "broken heart" and called it "a slow suicide by apathy. She just didn't care."
Peart's first book, titled The Masked Rider: Cycling in West Africa, was written in 1996 about a month-long bicycling tour through Cameroon in November 1988. The book details Peart's travels through towns and villages with four fellow riders. The original had a limited print run, but after the critical and commercial success of Peart's second book, Masked Rider, was re-issued by ECW Press and remains in print.
For most of his career, Peart had never publicly identified with any political party or organization in Canada or the United States. Even so, his political and philosophical views have often been analyzed through his work with Rush and through other sources. In October 1993, shortly before that year's Canadian federal election, Peart appeared with then-Liberal Party leader Jean Chrétien in an interview broadcast in Canada on MuchMusic. In that interview, Peart stated he was an undecided voter who supported Quebec federalism.
In 1992, Peart was invited by Buddy Rich's daughter, Cathy Rich, to play at the Buddy Rich Memorial Scholarship Concert in New York City. Peart accepted and performed for the first time with the Buddy Rich Big Band. Peart remarked that he had little time to rehearse, and noted that he was embarrassed to find the band played a different arrangement of the song than the one he had learned. Feeling that his performance left much to be desired, Peart decided to produce and play on two Buddy Rich tribute albums titled Burning for Buddy: A Tribute to the Music of Buddy Rich in 1994 and 1997 in order to regain his aplomb.
Peart had long played matched grip but shifted to traditional as part of his style reinvention in the mid-1990s under the tutelage of jazz coach Freddie Gruber. He played traditional grip throughout his first instructional DVD A Work in Progress and on Rush's Test for Echo studio album. Peart went back to using primarily matched, though he continued to switch to traditional at times when playing songs from Test for Echo and during moments when traditional grip felt more appropriate, such as during the rudimental snare drum section of his drum solo. He discussed the details of these switches in the DVD Anatomy of a Drum Solo.
1984's Grace Under Pressure strung together such despondent topics as the Holocaust ("Red Sector A") and the death of close friends ("Afterimage"). Starting with 1987's Hold Your Fire and including 1989's Presto, 1991's Roll the Bones, and 1993's Counterparts, Peart would continue to explore diverse lyrical motifs, even addressing the topic of love and relationships, ("Open Secrets", "Ghost of a Chance", "Speed of Love", "Cold Fire", "Alien Shore") a subject which he purposefully avoided in the past, out of fear of using clichés. 2002's Vapor Trails was heavily devoted to Peart's personal issues, along with other humanitarian topics such as the 9/11 terrorist attacks ("Peaceable Kingdom"). The album Snakes & Arrows dealt primarily and vociferously with Peart's opinions regarding faith and religion.
USA Today' s writers compared him favorably to other top shelf rock drummers. He was "considered one of the best rock drummers of all time, alongside John Bonham of Led Zeppelin; Ringo Starr of The Beatles; Keith Moon of The Who; Ginger Baker of Cream and Stewart Copeland of The Police." Being "known for his technical proficiency", the Modern Drummer Hall of Fame inducted him in 1983.
The 1980 album Permanent Waves saw Peart cease to use fantasy and mythological themes. 1981's Moving Pictures showed that Peart was still interested in heroic, mythological figures, but now placed firmly in a modern, realistic context. The song "Limelight" from the same album is an autobiographical account of Peart's reservations regarding his own popularity and the pressures with fame. From Permanent Waves onward, most of Peart's lyrics began to revolve around social, emotional, and humanitarian issues, usually from an objective standpoint and employing the use of metaphors and symbolic representation.
Peart returned to England for Rush's Northern European Tour and the band stayed in the United Kingdom to record the next album, 1977's A Farewell to Kings in Rockfield Studios in Wales. They returned to Rockfield to record the follow-up, Hemispheres, in 1978, which they wrote entirely in the studio. The recording of five studio albums in four years, coupled with as many as 300 gigs a year, convinced the band to take a different approach thereafter. Peart has described his time in the band up to this point as "a dark tunnel".
While in London, he came across the writings of novelist and Objectivist Ayn Rand. Rand's writings became a significant early philosophical influence on Peart, as he found many of her writings on individualism and Objectivism inspiring. References to Rand's philosophy can be found in his early lyrics, most notably "Anthem" from 1975's Fly by Night and "2112" from 1976's 2112.
His first recording with the band, 1975's Fly by Night, was fairly successful, winning the Juno Award for most promising new act, but the follow-up, Caress of Steel, for which the band had high hopes, was greeted with hostility by both fans and critics. In response to this negative reception, most of which was aimed at the B side-spanning epic "The Fountain of Lamneth", Peart responded by penning "2112" on their next album of the same name in 1976. The album, despite record company indifference, became their breakthrough and gained a following in the United States. The supporting tour culminated in a three-night stand at Massey Hall in Toronto, a venue Peart had dreamed of playing in his days on the Southern Ontario bar circuit and where he was introduced as "The Professor on the drum kit" by Lee.
Peart was born in Hamilton, Ontario, and grew up in Port Dalhousie (now part of St. Catharines). During adolescence, he floated between regional bands in pursuit of a career as a full-time drummer. After a discouraging stint in England to concentrate on his music, Peart returned home, where he joined Rush, a Toronto band, in mid-1974, six years after its formation. They released nineteen studio albums, with ten exceeding a million copies sold in the United States. Billboard ranks the band third for the "most consecutive gold or platinum albums by a rock band". Early in his career, Peart's performance style was deeply rooted in hard rock. He drew most of his inspiration from drummers such as Keith Moon, Ginger Baker, and John Bonham, players who were at the forefront of the British hard rock scene. As time passed, he began to emulate jazz and big band musicians Gene Krupa and Buddy Rich. In 1994, Peart became a friend and pupil of jazz instructor Freddie Gruber. It was during this time that Peart decided to revamp his playing style by incorporating jazz and swing components.
After some discussion between Lee and Lifeson, Peart officially joined the band on July 29, 1974, two weeks before the group's first US tour. Peart procured a silver Slingerland kit which he played at his first gig with the band, opening for Uriah Heep and Manfred Mann's Earth Band in front of over 11,000 people at the Civic Arena, Pittsburgh, Pennsylvania, on August 14, 1974.
During the late 1970s, Peart augmented his acoustic setup with diverse percussion instruments, including orchestra bells, tubular bells, wind chimes, crotales, timbales, timpani, gong, temple blocks, bell tree, triangle, and melodic cowbells. From the mid-1980s, Peart replaced several of these pieces with MIDI trigger pads. This was done in order to trigger sounds sampled from various pieces of acoustic percussion that would otherwise consume far too much stage area. Some purely electronic non-instrumental sounds were also used. One classic MIDI pad used is the Malletkat Express, which is a two-octave electronic MIDI device that resembles a xylophone or piano. The Malletkat Express is composed of rubber pads for the "keys" so that any stick can be used. Beginning with 1984's Grace Under Pressure, he used Simmons electronic drums in conjunction with Akai digital samplers. Peart performed several songs primarily using the electronic portion of his drum kit. (e.g. "Red Sector A", "Closer to the Heart" on A Show of Hands and "Mystic Rhythms" on R30.)
Peart has often been categorized as an Objectivist and an admirer of Ayn Rand. This is largely based on his work with Rush in the 1970s, particularly the song "Anthem" and the album 2112; the latter specifically credited Rand's work. However, in his 1994 Rush Backstage Club Newsletter, while contending the "individual is paramount in matters of justice and liberty," Peart specifically distanced himself from a strictly Objectivist line. In a June 2012 Rolling Stone interview, when asked if Rand's words still speak to him, Peart replied, "Oh, no. That was forty years ago. But it was important to me at the time in a transition of finding myself and having faith that what I believed was worthwhile." Peart has also ascribed to a philosophy that he called "Tryism," which means that anything one tries to attain will be attained if one tries hard enough.
Neil Ellwood Peart OC (/p ɪər t / ; September 12, 1952 – January 7, 2020) was a Canadian musician and writer best known as the drummer and primary lyricist of the rock band Rush. Peart received numerous awards for his musical performances, including an induction into the Modern Drummer Readers Poll Hall of Fame in 1983, making him the youngest person ever so honoured. His drumming was renowned for its technical proficiency and his live performances for their exacting nature and stamina.
Peart was born on September 12, 1952, to Glen and Betty Peart and lived his early years on his family's farm in Hagersville, on the outskirts of Hamilton. The first child of four, his brother Danny and sisters Judy and Nancy were born after the family moved to St. Catharines when Peart was two years old. At this time his father became parts manager for Dalziel Equipment, an International Harvester farm machinery dealer. In 1956 the family moved to the Port Dalhousie area of the town. Peart attended Gracefield School and later Lakeport Secondary School, and described his childhood as happy and says he experienced a warm family life. By early adolescence he became interested in music and acquired a transistor radio, which he would use to tune into pop music stations broadcasting from Toronto, Hamilton, Welland, Ontario and Buffalo, New York.