Marie Wilson height - How tall is Marie Wilson?

Marie Wilson (Katherine Elizabeth Wilson) was born on 19 August, 1916 in Anaheim, California, USA, is an actress,soundtrack. At 56 years old, Marie Wilson height is 5 ft 5 in (166.0 cm).

Now We discover Marie Wilson's Biography, Age, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is She in this year and how She spends money? Also learn how She earned most of net worth at the age of 56 years old?

Popular As Katherine Elizabeth Wilson
Occupation actress,soundtrack
Marie Wilson Age 56 years old
Zodiac Sign Leo
Born 19 August 1916
Birthday 19 August
Birthplace Anaheim, California, USA
Date of death 23 November, 1972
Died Place Hollywood, California, USA
Nationality USA

We recommend you to check the complete list of Famous People born on 19 August. She is a member of famous Actress with the age 56 years old group.

Marie Wilson Weight & Measurements

Physical Status
Weight Not Available
Body Measurements Not Available
Eye Color Not Available
Hair Color Not Available

Who Is Marie Wilson's Husband?

Her husband is Robert Fallon (15 December 1951 - 23 November 1972) ( her death), Allan Nixon (27 April 1942 - 29 December 1950) ( divorced)

Family
Parents Not Available
Husband Robert Fallon (15 December 1951 - 23 November 1972) ( her death), Allan Nixon (27 April 1942 - 29 December 1950) ( divorced)
Sibling Not Available
Children Not Available

Marie Wilson Net Worth

She net worth has been growing significantly in 2021-22. So, how much is Marie Wilson worth at the age of 56 years old? Marie Wilson’s income source is mostly from being a successful Actress. She is from USA. We have estimated Marie Wilson's net worth , money, salary, income, and assets.

Net Worth in 2022 $1 Million - $5 Million
Salary in 2022 Under Review
Net Worth in 2021 Pending
Salary in 2021 Under Review
House Not Available
Cars Not Available
Source of Income Actress

Marie Wilson Social Network

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Timeline

1970

" One of her last roles was in animated form as a voice in the cartoon Where's Huddles? (1970). Married twice, she had an adopted son, Gregson (Greg) via her second marriage to actor/TV producer Robert Fallon. Her first, to actor Allan Nixon, ended in divorce.

1962

Hobbs Takes a Vacation (1962).

1955

Marie and husband Bob Fallon adopted a four month old baby boy on December 1, 1955. She first saw the baby at a Memphis hospital while doing a benefit there.

1950

Losing the dizzy Billie Dawn role to Judy Holliday in the film version of Born Yesterday (1950) was a particular disappointment. She, however, did the role in summer stock years later.

1949

She reached her "dumb blonde" zenith with the successful radio, film and TV versions of My Friend Irma (1949). Most of her subsequent kooky characterizations from then on were patterned on her Irma persona. A smart, ambitious woman known to do crazy stunts for publicity, Marie took to the stage, nightclub and TV circuits once her film career bottomed out after the spectacular arrival of Marilyn Monroe. On the road in summer stock and dinner theater engagements, Marie appeared to find advantage in such well-suited vehicles as "Bus Stop," "Born Yesterday and "Gentlemen Prefer Blondes.

1947

Her first husband, actor Allan Nixon, was a bit part actor for the most part. Marie, the breadwinner, continued to try and find him work throughout their turbulent marriage. They worked together in her film Linda, Be Good (1947), in which he had a small role, and in the stage plays "The School for Scandal" and "Three Out of Four". In between Nixon was arrested numerous times for drunk and disorderly conduct. After a couple of separations, she finally divorced him after 8 years of marriage.

1941

Intermixed were an array of film opportunities for various studios: Rookies on Parade (1941), She's in the Army (1942), The Fabulous Joe (1947), A Girl in Every Port (1952), Never Wave at a WAC (1953), Marry Me Again (1953) and her last, Mr.

1940

As compensation, she found great stage success as the sexy stooge for impresario Ken Murray in his extremely popular Los Angeles "Blackout" vaudeville-style stage shows of the early 1940s. Her mock striptease bit was a particular highlight and she stayed with the show for an incredible seven years.

1939

Her last film for Warners was the forgettable The Cowboy Quarterback (1939).

Following the termination of her Warners contract in 1939, Marie had trouble securing film work.

1935

She appeared in his comedy short My Girl Sally (1935) with the inimitable Sterling Holloway and, to start with, had an extra part in Grinde's feature film Ladies Crave Excitement (1935).

It was Grinde who helped secure her a contract at Warner Brothers in 1935. She would stay with the studio for four years.

After making her Warners debut in Broadway Hostess (1935), Marie adroitly moved around and about the "B"-level chain (along with an intermittent "A" movie).

As the quintessential dizzy, dim-witted foil, Marie scored in several Prohibition-style entertainment showcases, including the comedy potboilers Stars Over Broadway (1935), Miss Pacific Fleet (1935), Satan Met a Lady (1936), Melody for Two (1937), Public Wedding (1937) (directed by Grinde), The Great Garrick (1937), Fools for Scandal (1938), Boy Meets Girl (1938) (one of her best), Broadway Musketeers (1938) and Sweepstakes Winner (1939).

1934

After the 18-year-old was cast (unbilled) as Mary, Quite Contrary in the Stan Laurel and Oliver Hardy musical fantasy March of the Wooden Soldiers (1934), Marie started sharpening up her "dumb blonde" skills.

1916

Lovely, innocent-looking, well-endowed comedienne Marie Wilson was a featherbrained delight instantly reminiscent of the zany Gracie Allen. Unlike Allen, however, Marie was a knockout--with high cheekbones, a wide slash of a mouth and a figure that wouldn't quit. She was born Katherine Elizabeth Wilson on August 19, 1916, in Anaheim, California. Her family moved to Hollywood after her businessman father's death and Marie set her sights on an entertainment career while quite young. Educated at Miss Page School and the Hollywood Cumnock School for Girls, she found extra work in films upon graduation and made ends meet at one point by taking a job as a salesgirl in a department store. Her big break occurred after an "accidental" meeting with the director Nick Grinde. The relationship grew intimate, and he was instrumental in the formulation of her early Hollywood career.