Katy Jurado height - How tall is Katy Jurado?

Katy Jurado (María Cristina Estela Jurado García) was born on 16 January, 1924 in Guadalajara, Jalisco, Mexico, is an actress. At 78 years old, Katy Jurado height is 5 ft 6 in (168.0 cm).

Now We discover Katy Jurado's Biography, Age, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is She in this year and how She spends money? Also learn how She earned most of net worth at the age of 78 years old?

Popular As María Cristina Estela Jurado García
Occupation actress
Katy Jurado Age 78 years old
Zodiac Sign Capricorn
Born 16 January 1924
Birthday 16 January
Birthplace Guadalajara, Jalisco, Mexico
Date of death 5 July, 2002
Died Place Cuernavaca, Morelos, Mexico
Nationality Mexico

We recommend you to check the complete list of Famous People born on 16 January. She is a member of famous Actress with the age 78 years old group.

Katy Jurado Weight & Measurements

Physical Status
Weight Not Available
Body Measurements Not Available
Eye Color Not Available
Hair Color Not Available

Who Is Katy Jurado's Husband?

Her husband is Ernest Borgnine (31 December 1959 - 3 June 1963) ( divorced), Víctor Velázquez (? - ?) ( divorced) ( 2 children)

Family
Parents Not Available
Husband Ernest Borgnine (31 December 1959 - 3 June 1963) ( divorced), Víctor Velázquez (? - ?) ( divorced) ( 2 children)
Sibling Not Available
Children Not Available

Katy Jurado Net Worth

She net worth has been growing significantly in 2021-22. So, how much is Katy Jurado worth at the age of 78 years old? Katy Jurado’s income source is mostly from being a successful Actress. She is from Mexico. We have estimated Katy Jurado's net worth , money, salary, income, and assets.

Net Worth in 2022 $1 Million - $5 Million
Salary in 2022 Under Review
Net Worth in 2021 Pending
Salary in 2021 Under Review
House Not Available
Cars Not Available
Source of Income Actress

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Timeline

2003

First Mexican actress to be nominated for an Academy Award. The second was Salma Hayek, in 2003.

1998

Her last American film appearance was in Stephen Frears' The Hi-Lo Country (1998), capping a half-century-long American movie career that continued due to her talent and remarkable presence, long after her extraordinary good looks had faded. Aside from acting in films in the US and Europe, she continued to act in Mexican films.

She played the leader of a religious cult in the Bunuel-like satire El evangelio de las maravillas (1998).

1997

She also was awarded a Special Golden Ariel for Lifetime Achievment in 1997.

1994

She was awarded a Star on the Hollywood Walk of Fame at 7065 Hollywood Boulevard in Hollywood, California on February 1, 1994.

1992

In the north, she was honored with a Golden Boot Award by the Motion Picture & Television Fund in 1992 and has a star on the Hollywood Walk of Fame. Jurado was an avid promoter of her home state of Morelos as a location for filmmakers. Towards the end of her life, she suffered from heart and lung ailments.

1984

Though in the latter part of her career she appeared occasionally in American films shot in Mexico (including an appearance with her former mentor, Emilio Fernandez, in "Pat Garrett & Billy the Kid" and John Huston's Under the Volcano (1984)), she appeared mostly in Mexican movies in the last decades of her career, becoming a prominent and highly respected character actress.

1981

Borgnine summed up his ex-wife as "beautiful, but a tiger", a bon mot that described her on-screen persona as well (she had two children with former husband Victor Velasquez, a daughter and a son, who tragically was killed in an automobile accident in 1981).

1973

One of the best examples of this can be seen at the end of the middle of her career, when Jurado played sheriff Slim Pickens' wife and partner in Sam Peckinpah's elegiac Pat Garrett & Billy the Kid (1973). Determined and tough as nails, Jurado's character was clearly her screen husband's equal, and she had a very moving scene with Pickens as his character faced death. Jurado was blessed with extraordinary eyes, which were both beautiful and expressive, their beauty and strength never fading with age.

1968

She attempted to commit suicide in 1968, and then moved back home to Mexico permanently, though she continued to appear in American films as a character actress.

1967

In A Covenant with Death (1967), she was only four years older than George Maharis, who played her son.

1966

Her career in the US began to wind down, and she was reduced to appearing in "B" pictures like Smoky (1966) with Fess Parker and the Elvis Presley movie Stay Away, Joe (1968).

1964

Their divorce became final in 1964.

1962

She also appeared with Quinn in _Barabbas (1962)_and The Children of Sanchez (1978).

1961

During their tempestuous relationship, Jurado and Borgnine separated and reconciled before finally separating for good in 1961. The tabloids reported that Borgnine had abused her, and their separation proved rocky as well, as they fought over alimony.

Jurado played the wife of Marlon Brando's nemesis Dad Longworth (Karl Malden) in One Eyed Jacks - Marlon Brando's Western Classic (1961), Brando's sole directorial effort. In her role she also was the mother of a young woman who was Brando's love interest, thus marking a career transition point as she assumed the role of a mature woman.

1958

She +remained in Los Angeles for 10 years, marrying Ernest Borgnine, her co-star in The Badlanders (1958), in 1959.

1954

Two years after "High Noon", Jurado received an Academy Award nomination as Best Supporting Actress for her role as Spencer Tracy's Indian wife in Edward Dmytryk's Broken Lance (1954), making her the first Mexican actress thus honored. She refused to sign a contract with a major Hollywood studio in order to be able to return to Mexico between her American roles to star in Mexican films.

Jurado won three Ariel awards, the Mexican equivalent of the Oscar, a Best Supporting Actress award in 1954 for Bunuel's El bruto (1953) a Best Actress Award in 1974 for Fe, esperanza y caridad (1974) and a Best Supporting Actress award in 1999 for "El evangelio de las Maravillas".

1953

Luis Buñuel cast her in his Mexican melodrama El bruto (1953), and then she made her big breakthrough in American films in the role of Gary Cooper's former mistress, saloon owner Helen Ramirez, in High Noon (1952). The role necessitated her moving to Hollywood. She received two Golden Globe nominations from the Hollywood Foreign Press Association for that part, for Most Promising Newcomer and Best Supporting Actress, winning the latter. "She planted the Mexican flag in the U. S. film industry, and made her country proud", said National Actors Association official Mauricio Hernandez. Her "High Noon" performance historically proved to be an important acting watershed for Latino women in American movies. Jurado's portrayal undermined the Hollywood stereotype of the flaming, passionate Mexican "spitfire.

As Jurado aged, she appeared in fewer films, but notable among them included Arrowhead (1953) with Charlton Heston, Trapeze (1956) in support of Burt Lancaster and Man from Del Rio (1956) with her fellow Mexican national Anthony Quinn who, unlike Jurado, had become an American citizen.

1952

She appeared on the Western-themed American TV shows Death Valley Days (1952), The Rifleman (1958), The Westerner (1960) and The Virginian (1962).

1951

Boetticher, who was also a professional bullfighter, cast Jurado in his autobiographical film Bullfighter and the Lady (1951), which he shot in Mexico. She was cast in her part despite having very limited English-language skills and had to speak her lines phonetically.

1948

Her most memorable role in Mexican movies was in Nosotros los pobres (1948) (aka "We the Poor") opposite superstar Pedro Infante.

1943

Jurado eventually made her debut in No matarás (1943) during the what has been called "The Golden Age of Mexican Cinema". Blessed with stunning beauty and an assertive personality, Jurado specialized in playing determined women in a wide variety of films in Mexico and the United States. Her looks were evocative of the indigenous peoples of Mexico, and she used what she called her "distinguished and sensuous look" to carve a niche for herself in Mexican cinema. Indian features were unusual for a film star in Mexico--despite the success of Fernandez, the fabled "El Indio"--and her ethnic look meant she typically was cast as a dangerous seductress cum man-eater, a popular type in Mexican movies. The Mexican media reported that an American movie director at one of her first Hollywood auditions laughed at her derisively because she spoke English so poorly, and an outraged Jurado promptly stormed out of the audition room, cursing in Spanish. As it turned out, that kind of brazen behavior was exactly the type of personality that the director was looking for. In addition to acting, Jurado worked as a movie columnist and radio reporter to support her family. She also worked as a bullfight critic, and it was at a bullfight that Jurado was spotted by John Wayne and director Budd Boetticher.

1940

" Previously, Mexican and Latino women in Hollywood films were characterized by an unbridled sexuality, as exemplified by such diverse actresses as Lupe Velez, Dolores del Rio (who came to loathe Hollywood and returned to Mexico in the 1940s), and Rita Hayworth, nee Margarita Cansino. Although Jurado's character was forced to kow-tow to the stereotype in "High Noon", delivering such lines as, "It takes more than big, broad shoulders to make a man," the actress' great dignity in her role as a moral arbiter among the competing factions of the marshal and his fiancée, the townspeople and the gunmen out to kill the marshal showed her Helen Ramirez to be in control and controlled by nothing, not even her former love for the marshal. Her restrained performance, delivered with a great deal of conviction, emphasized the shortcomings of the rest of the other characters. Her moral integrity is the reason she, like the marshal, must abandon the town. With her superb performance, Jurado proved that Latino women could be more than just sexpots in the American cinema. Importantly, working against the tropes of a racist cinema, she used her talent to introduce into the American cinema the model of the un-stereotyped Mexican woman who is identifiably Mexican.

1924

Katy Jurado was born María Cristina Estela Jurado García into a wealthy family on January 16, 1924. Her early years were spent amid luxury until her family's lands were confiscated by the federal government for redistribution to the landless peasantry. Despite the loss of property, the matriarch of the family, her grandmother, continued to live by her aristocratic ideals. When movie star Emilio Fernandez discovered Katy at the age of 16 and wanted to cast her in one of his films, Jurado's grandmother objected to her wish to become a movie actress. To get around the ban, Katy slipped from the grasp of her family's control by marrying actor Víctor Velázquez.

1899

Her mother Vicenta García de la Garza was born in Montemorelos, Nuevo León in 1899.

1898

Her father Luis Jurado Ochoa was born in Chilpancingo in the state of Guerrero, Mexico in 1898.