Julia Faye height - How tall is Julia Faye?

Julia Faye (Julia Faye Maloney (The Vampette, The Legs of the Lasky Lot)) was born on 24 September, 1892 in Richmond, Virginia, USA, is an actress,costume_designer. At 74 years old, Julia Faye height is 5 ft 2 in (159.0 cm).

Now We discover Julia Faye's Biography, Age, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is She in this year and how She spends money? Also learn how She earned most of net worth at the age of 74 years old?

Popular As Julia Faye Maloney (The Vampette, The Legs of the Lasky Lot)
Occupation actress,costume_designer
Julia Faye Age 74 years old
Zodiac Sign Libra
Born 24 September 1892
Birthday 24 September
Birthplace Richmond, Virginia, USA
Date of death 6 April, 1966
Died Place Hollywood, Los Angeles, California, USA
Nationality USA

We recommend you to check the complete list of Famous People born on 24 September. She is a member of famous Actress with the age 74 years old group.

Julia Faye Weight & Measurements

Physical Status
Weight Not Available
Body Measurements Not Available
Eye Color Not Available
Hair Color Not Available

Who Is Julia Faye's Husband?

Her husband is Walter Merrill (24 October 1935 - 1936) ( divorced), Harold Leroy Wallick (2 August 1913 - ?) ( his death)

Family
Parents Not Available
Husband Walter Merrill (24 October 1935 - 1936) ( divorced), Harold Leroy Wallick (2 August 1913 - ?) ( his death)
Sibling Not Available
Children Not Available

Julia Faye Net Worth

She net worth has been growing significantly in 2021-22. So, how much is Julia Faye worth at the age of 74 years old? Julia Faye’s income source is mostly from being a successful Actress. She is from USA. We have estimated Julia Faye's net worth , money, salary, income, and assets.

Net Worth in 2022 $1 Million - $5 Million
Salary in 2022 Under Review
Net Worth in 2021 Pending
Salary in 2021 Under Review
House Not Available
Cars Not Available
Source of Income Actress

Julia Faye Social Network

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Timeline

1958

Her last film role was as a dowager in The Buccaneer (1958).

1951

Was one of the silent film stars who were honored with citations from the Hollywood Chamber of Commerce for their help "in making Hollywood the film capital of the world." The event was held at the Academy Award Theater in 1951.

1930

However, by the early 1930s her career was already in decline. Perhaps hoping to emulate Macpherson, she proceeded to study screenwriting for three years under De Mille's tutelage, but, in the end, to little avail. Eventually, offers from Hollywood dried up and her money ran out. To his credit, De Mille continued to support Julia by putting her on the payroll as one of his regular stock players. She went on to appear in cameos and bit parts in his films for another two decades, usually without dialogue.

1929

Dynamite (1929), co-scripted by another De Mille protégé and mistress (not to mention fierce rival), Jeanie Macpherson, gave Julia her best opportunity to shine in a meatier role.

1927

One of her rare leading lady roles was that of country girl Dorcas in His Dog (1927), a DeMille Pictures Corporation production co-starring Joseph Schildkraut.

1923

She was featured in billed supporting roles in a number of De Mille's big-budget extravaganzas, including The Ten Commandments (1923) (as Pharaoh's wife), The Volga Boatman (1926) (as a gypsy) and The King of Kings (1927) (as Martha).

1920

which contributed to her having a pretty good career for the better part of the 1920s.

1917

She appeared in more Cecil B. DeMille films than any other actress. Her first DeMille film was The Woman God Forgot (1917), in which she played Geraldine Farrar's handmaiden. In the early 1930s, she left acting in order to study singing and also began to write; she also remarried during this time, but this second marriage lasted less than a year. This explains her absence in some DeMille epics of the 1930s, such as The Sign of the Cross (1932), Cleopatra (1934), The Crusades (1935), and The Buccaneer (1938). In the late 1930s, she returned to films with the help of DeMille, who gave her her last notable roles: Delilah (Hedy Lamarr)'s maidservant Hisham in Samson and Delilah (1949) and Aaron (John Carradine)'s wife Elisheba in The Ten Commandments (1956).

1916

Julia Faye's career is inextricably linked to director Cecil B. DeMille. He was her mentor, while she was for many years his mistress (a liaison which was tolerated by De Mille's long-suffering wife Constance Adams). Julia was born in Richmond, Virginia, of French-American parentage. She had a Southern drawl which she never lost. When she was six months old her family moved to St. Louis, MO, where she spent most of her early childhood. She was educated at Illinois State University. Her parents intended for her to have a teaching career, but Julia had other ideas. She started out as a model for fashion magazines, touted as "the girl with the perfect legs" and "the prettiest feet and ankles in America". Her photo shoots did not escape the attention of De Mille, who summoned her for an audition (though, according to author Charles Higham, it was actor Wallace Reid who first introduced Julia to De Mille at a party). Her "pegs" certainly passed muster and Julia was fast-tracked to the silver screen, initially appearing in a few small roles at Fine Arts=Paramount. Casting directors were also eager to utilize her as a "leg model", doubling for actresses deemed less endowed in that department. In 1916 Julia moved to Keystone as one of Mack Sennett's Bathing Beauties and knockabout comediennes, occasionally as leading lady and at times performing her own stunts. Despite limitations to her acting ability, Julia was possessed of sophistication, wit and charm.

1914

Appeared in Cecil B. DeMille's two remakes of The Squaw Man (1914): The Squaw Man (1918) and The Squaw Man (1931).

1890

Her father, Robert J. Maloney, was born in West Virginia. His family eventually settled in Newton, Kansas, where he worked for the Santa Fe Railroad and married in 1890, two years before Faye's birth. He died before 1901.

1872

Her mother, Emma Louise Elliott (1872-1955), was born in New Castle, Indiana. After the death of her husband, she went to live with her parents and worked as a dressmaker. In 1901, she remarried to Cyrus D. Covell.

1851

Was named after her maternal grandmother, Julia Ann (Crandall) Elliott (1851-1896).

1850

Her paternal grandfather, Thomas Maloney, was born in Ireland and settled in Virginia in the 1850s.