Joan Hackett height - How tall is Joan Hackett?

Joan Hackett (Joan Ann Hackett) was born on 1 March, 1934 in East Harlem, New York City, New York, USA, is an actress. At 49 years old, Joan Hackett height is 5 ft 6 in (170.0 cm).

Now We discover Joan Hackett's Biography, Age, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is She in this year and how She spends money? Also learn how She earned most of net worth at the age of 49 years old?

Popular As Joan Ann Hackett
Occupation actress
Joan Hackett Age 49 years old
Zodiac Sign Pisces
Born 1 March 1934
Birthday 1 March
Birthplace East Harlem, New York City, New York, USA
Date of death 8 October, 1983
Died Place Encino, California, USA
Nationality USA

We recommend you to check the complete list of Famous People born on 1 March. She is a member of famous Actress with the age 49 years old group.

Joan Hackett Weight & Measurements

Physical Status
Weight Not Available
Body Measurements Not Available
Eye Color Not Available
Hair Color Not Available

Who Is Joan Hackett's Husband?

Her husband is Richard Mulligan (3 January 1966 - 1973) ( divorced)

Family
Parents Not Available
Husband Richard Mulligan (3 January 1966 - 1973) ( divorced)
Sibling Not Available
Children Not Available

Joan Hackett Net Worth

She net worth has been growing significantly in 2021-22. So, how much is Joan Hackett worth at the age of 49 years old? Joan Hackett’s income source is mostly from being a successful Actress. She is from USA. We have estimated Joan Hackett's net worth , money, salary, income, and assets.

Net Worth in 2022 $1 Million - $5 Million
Salary in 2022 Under Review
Net Worth in 2021 Pending
Salary in 2021 Under Review
House Not Available
Cars Not Available
Source of Income Actress

Joan Hackett Social Network

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Timeline

1983

Ravaged by cancer, a few weeks prior to her death she checked herself out of the hospital to host a wedding party at her Beverly Hills home for Carrie Fisher and Paul Simon. Just a few days later, her condition rapidly deteriorated. She then spent her last few weeks at Encino Hospital under aggressive treatment. She lost her battle on Saturday, October 8, 1983, at 9:15 pm.

1981

There were to be few roles of interest until Only When I Laugh (1981). The film, based on Neil Simon's play "The Gingerbread Lady", won Joan a Golden Globe Award and an Academy Award nomination as Best Supporting Actress. By that time, she was already so ill with cancer that she had to travel to the award ceremony in a wheelchair. Joan Hackett was well known as a social activist, embracing solar energy and losing causes such as the preservation of the old Morosco Theatre in Times Square with equal fervor.

1980

A firm believer in the paranormal, while on location in Texas filming Harnessing the Sun (1980), she persuaded the film's director, Dirk Wayne Summers, to fly in a clairvoyant aura reader. She arranged for the entire crew to receive extrasensory readings. The clairvoyant spent a week with the film's cast and crew. When Summers was asked by a reporter from a Dallas newspaper why he approved such unusual arrangements--and did CBS know--Summers answered: "Joan Hackett is so great to work with and so perfect in her role that I would have flown in Uri Geller if Joan had wanted him.".

1974

Joan gave a spectacular performance in the Michael Crichton book adaption of The Terminal Man (1974) where she plays a compassionate psychiatrist who is tormented by her patient.

1973

Joan then gave assured performances in two subsequent thrillers, the stylish The Last of Sheila (1973) and the made-for-TV disguised remake of Diabolique (1955), Reflections of Murder (1974) with Sam Waterston.

1972

A later stage performance, "Night Watch" (1972), based on a play by Lucille Fletcher, saw her playing an emotionally disturbed woman with such intensity that Clive Barnes of The New York Times described her performance as "beautifully judged".

1969

In stark contrast was her role in the western comedy Support Your Local Sheriff (1969). She was very much in her element as feisty, accident-prone mayor's daughter "Prudy Perkins". In this film, she displayed a talent for visual comedy reminiscent of Lucille Ball, but otherwise rarely seen since silent films. There was also great chemistry and clever verbal interaction between her and co-star James Garner, as the newly appointed sheriff who catches her character in various embarrassing situations.

1968

She was also featured in the lackluster spy film Assignment to Kill (1968), followed by the predictable "Baby Jane" look-alike TV thriller How Awful About Allan (1970).

1967

Her next motion pictures allowed Joan considerably more screen time: She co-starred with Charlton Heston in the moody, idiosyncratic western Will Penny (1967). She gave a decidedly understated, subtle performance as the down-to-earth frontier woman who befriends the hero, shares in his ordeals, and then is left by him when he realizes that there is no future in their relationship.

1966

She was first featured as one of eight Vassar graduates making up The Group (1966), a 150-minute Sidney Lumet-directed part-satire, part-soap-opera film examining the lives and loves of the protagonists over the years.

1961

In 1961, she had her first success in an off-Broadway play, "Call Me By My Rightful Name", winning three awards, including an Obie.

From 1961 to 1962, Joan had regular work in the CBS courtroom drama series The Defenders (1961) (starring E. G. Marshall), playing social worker "Joan Miller", fiance of one of the partners in the law firm.

1959

Joan made her Broadway debut in the John Gielgud production of "Much Ado About Nothing" in 1959 and also appeared in her first television episode that year.

During the remainder of the decade, she guest-starred in many top-rated TV shows, from The Twilight Zone (1959) to Bonanza (1959) and Ben Casey (1961) (an Emmy-nominated performance). She also played the second "Mrs. de Winter" in a television version of Daphne Du Maurier's classic "Rebecca". Joan's off-beat personality likely limited her career in films.

1952

On the cover of Harper's Junior Bazaar in 1952, the attractive brunette turned down the resulting offer of a contract with 20th Century-Fox and opted instead for acting classes at Lee Strasberg's Actors Studio.

1934

Joan Hackett was never one of your conventional leading ladies. Directors sometimes found her difficult to work with. Yet this strong-minded perfectionist had an unquenchable individuality that came through in her performances, and she never hesitated to appear unglamorous whenever the role demanded. Born of an Italian mother and an Irish-American father in East Harlem on March 1, 1934, teenage Joan left school during twelfth grade to become a model.