Bernard Herrmann height - How tall is Bernard Herrmann?

Bernard Herrmann (Max Herman) was born on 29 June, 1911 in New York City, New York, USA, is a music_department,composer,soundtrack. At 64 years old, Bernard Herrmann height is 5 ft 8 in (173.0 cm).

Now We discover Bernard Herrmann's Biography, Age, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is He in this year and how He spends money? Also learn how He earned most of net worth at the age of 64 years old?

Popular As Max Herman
Occupation music_department,composer,soundtrack
Bernard Herrmann Age 64 years old
Zodiac Sign Cancer
Born 29 June 1911
Birthday 29 June
Birthplace New York City, New York, USA
Date of death 24 December, 1975
Died Place North Hollywood, Los Angeles, California, USA
Nationality USA

We recommend you to check the complete list of Famous People born on 29 June. He is a member of famous Music Department with the age 64 years old group.

Bernard Herrmann Weight & Measurements

Physical Status
Weight Not Available
Body Measurements Not Available
Eye Color Not Available
Hair Color Not Available

Who Is Bernard Herrmann's Wife?

His wife is Norma Shepherd (27 November 1967 - 24 December 1975) ( his death), Lucy Anderson (August 1949 - 1964) ( divorced), Lucille Fletcher (2 October 1939 - 1948) ( divorced) ( 2 children)

Parents Not Available
Wife Norma Shepherd (27 November 1967 - 24 December 1975) ( his death), Lucy Anderson (August 1949 - 1964) ( divorced), Lucille Fletcher (2 October 1939 - 1948) ( divorced) ( 2 children)
Sibling Not Available
Children Not Available

Bernard Herrmann Net Worth

He net worth has been growing significantly in 2021-22. So, how much is Bernard Herrmann worth at the age of 64 years old? Bernard Herrmann’s income source is mostly from being a successful Music Department. He is from USA. We have estimated Bernard Herrmann's net worth , money, salary, income, and assets.

Net Worth in 2022 $1 Million - $5 Million
Salary in 2022 Under Review
Net Worth in 2021 Pending
Salary in 2021 Under Review
House Not Available
Cars Not Available
Source of Income Music Department

Bernard Herrmann Social Network




In his series 20th Century Greats (2004), British composer and presenter Howard Goodall made a case for Hermann as one of the four most important composers of the 20th century, along with Leonard Bernstein, Cole Porter and the Lennon (John Lennon)\McCartney (Paul McCartney) songwriting partnership.


Pictured on one of six 33¢ USA commemorative postage stamps in the Legends of American Music series, honoring Hollywood Composers, issued 21 September 1999. Issued in panes of 20 stamps. Others honored in the set were Max Steiner, Dimitri Tiomkin, Franz Waxman, Alfred Newman, and Erich Wolfgang Korngold.


Was supposed to score Brian De Palma's film Carrie (1976), but he died just before that movie's post production was started, so the job was taken over by Pino Donaggio.


He ended his partnership with Hitchcock after the latter rejected his score for Torn Curtain (1966) on studio advice.


A notorious perfectionist and demanding (he once said that most directors didn't have a clue about music, and he blithely ignored their instructions--like Hitchcock's suggestion that Psycho (1960) have a jazz score and no music in the shower scene).


Composed the original opening theme for The Twilight Zone (1959). At the start of the second season, it was replaced by the more familiar theme composed by Marius Constant.


Conductor for CBS Radio's "Crime Classics" (1953-1954).


He was also an early experimenter in the sounds used in film scores, most famously Day the Earth Stood Still, The (1951), scored for two theremins, pianos, and a horn section; and was a consultant on the electronic sounds created by Oskar Sala on the mixtrautonium for The Birds (1963).


Regarded The Ghost and Mrs. Muir (1947) as his favorite of his own film scores. Some of the main thematic material in the score turned up in Herrmann's only opera, "Wuthering Heights."


The man behind the low woodwinds that open Citizen Kane (1941), the shrieking violins of Psycho (1960), and the plaintive saxophone of Taxi Driver (1976) was one of the most original and distinctive composers ever to work in film. He started early, winning a composition prize at the age of 13 and founding his own orchestra at the age of 20.


After writing scores for Orson Welles's radio shows in the 1930s (including the notorious 1938 "The War of the Worlds" broadcast), he was the obvious choice to score Welles's film debut, Citizen Kane (1941), and, subsequently, The Magnificent Ambersons (1942), although he removed his name from the latter after additional music was added without his (or Welles's) consent when the film was mutilated by a panic-stricken studio. Herrmann was a prolific film composer, producing some of his most memorable work for Alfred Hitchcock, for whom he wrote nine scores.