Robert Shaw height - How tall is Robert Shaw?
Robert Shaw (Robert Archibald Shaw) was born on 9 August, 1927 in Westhoughton, Lancashire, England, UK, is an actor,writer,soundtrack. At 51 years old, Robert Shaw height is 5 ft 10 in (178.0 cm).
Now We discover Robert Shaw's Biography, Age, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is He in this year and how He spends money? Also learn how He earned most of net worth at the age of 51 years old?
|Popular As||Robert Archibald Shaw|
|Age||51 years old|
|Born||9 August 1927|
|Birthplace||Westhoughton, Lancashire, England, UK|
|Date of death||28 August, 1978|
|Died Place||Tourmakeady, County Mayo, Ireland|
We recommend you to check the complete list of Famous People born on 9 August. He is a member of famous Actor with the age 51 years old group.
Robert Shaw Weight & Measurements
|Body Measurements||Not Available|
|Eye Color||Not Available|
|Hair Color||Not Available|
Who Is Robert Shaw's Wife?
His wife is Virginia Jansen (29 July 1976 - 28 August 1978) ( his death) ( 2 children), Mary Ure (13 April 1963 - 3 April 1975) ( her death) ( 4 children), Jennifer Bourke (1952 - 1963) ( divorced) ( 4 children)
|Wife||Virginia Jansen (29 July 1976 - 28 August 1978) ( his death) ( 2 children), Mary Ure (13 April 1963 - 3 April 1975) ( her death) ( 4 children), Jennifer Bourke (1952 - 1963) ( divorced) ( 4 children)|
Robert Shaw Net Worth
He net worth has been growing significantly in 2018-19. So, how much is Robert Shaw worth at the age of 51 years old? Robert Shaw’s income source is mostly from being a successful Actor. He is from UK. We have estimated Robert Shaw's net worth, money, salary, income, and assets.
|Net Worth in 2020||$1 Million - $5 Million|
|Salary in 2019||Under Review|
|Net Worth in 2019||Pending|
|Salary in 2019||Under Review|
|Source of Income||Actor|
Robert Shaw Social Network
" In early 1978, Shaw appeared in Avalanche Express (1979) which was to become the last film in which he played General Marenkov, a senior Russian official who decides to defect to the West and reveals to a CIA agent, played by Lee Marvin, that the Russians are trying to develop biological weapons.
An alcoholic most of his life, Shaw died--before the film was completed--of a heart attack at the age of 51 on August 28, 1978.
His next film, Black Sunday (1977), with Shaw playing an Israeli counterterrorist agent trying to stop a terrorist organization called Black September, which is plotting an attack at the Super Bowl, was a big success both with critics and at the box office. I wasn't surprised, considering the depth to which he was also involved in writing the script, although he didn't receive billing for it.
Shaw was very happy with the success of his acting career but remained a depressed recluse in his personal life until he finished Black Sunday (1977), when he found himself in love with his secretary of 15 years, Virginia Dewitt Jansen (Jay).
During his stay in Bermuda, Shaw began work on his next movie, The Deep (1977), which teamed him and writer Peter Benchley once again, which may have been a mistake in that everyone expected another Jaws (1975). At one point, discussing how bad the film was going, Shaw could be quoted as saying to Nick Nolte, "It's a treasure picture Nick; it's a treasure picture. " It did well at the box office but not with critics, although they did hail Shaw as the saving grace. He had done it for the money, as he was to do with his next film, for he had decided when Ure died that life was short and he needed to provide for his 10 children.
In 1977, Shaw traveled to Yugoslavia, where he starred in Force 10 from Navarone (1978), a sequel to The Guns Of Navarone (1961). He revived the lead role of British MI6 agent Mallory, originally played by Gregory Peck. He was a big box office draw, and some producers were willing to pay top wages for his work, but he felt restricted by the parts he was being offered. "I have it in mind to stop making these big-budget extravaganzas, to change my pattern of life. I wanted to prove, I think, that I could be an international movie star. Now that I've done it, I see the valuelessness of it.
During the same year, he also made Swashbuckler (1976) with Geneviève Bujold and James Earl Jones, a very lighthearted pirate adventure.
They were wed on July 29, 1976, in Hamilton, Bermuda. He adopted her son, Charles, and the couple also had one son, Thomas.
Following Diamonds (1975), he made End of the Game (1975) and then delivered another brilliant performance as the Sheriff of Nottingham in Robin and Marian (1976).
In the novel "The Taking of Pelham 123", one of the characters liked to walk off nervous energy, and Shaw played the villain in The Taking of Pelham One Two Three (1974); he tried to walk off chest pains and wound up dying of a heart attack.
As chauffeur Steven Ledbetter in The Hireling (1973), he falls in love with Sarah Miles, an aristocratic widow he helps recover from a nervous breakdown. The film took the prestigious Palme d'Or at the Cannes Film Festival and was quite a thought-provoking film.
It was his performances in the following two films--USA-produced The Sting (1973) and The Taking of Pelham One Two Three (1974)--that Shaw became familiar once again to American audiences, but it was his portrayal as a grizzled Irish shark hunter named Quint, in Jaws (1975), that everyone remembers--even to this day. Hard to believe that Shaw wasn't that impressed with the script and even confided to a friend, Hector Elizondo: "They want me to do a movie about this big fish. I don't know if I should do it or not. " When Elizondo asked why Shaw had reservations, Shaw said he'd never heard of the director and didn't like the title, "JAWS. " It's also incredible that as the biggest box office film at the time, which was the first to gross more than $100 million worldwide and that he had ever been part of, he didn't make a cent from it because of the taxes he had to pay from working in the United States, Canada and Ireland. It was also during that time that he became a depressed recluse following the death of his wife, who had taken an accidental overdose of barbiturates and alcohol. Some have speculated throughout the years that her death was suicidal, but there was no evidence of that, and so it is mere sensationalism.
As the father of Churchill in Young Winston (1972), he was once again his brilliant self, stealing the scene from John Mills, Patrick Magee, Anthony Hopkins and Ian Holm.
After his portrayal of Lord Randolph Churchill, he made A Reflection of Fear (1972), a horror movie with Ure, Sondra Locke and Sally Kellerman.
His last published novel, "A Card from Morocco," was also a big success and he went on to make Figures in a Landscape (1970) with Malcolm McDowell as two escaped convicts in a Latin American country.
One of his best performances of this decade was also as Spanish conqueror Pizarro in The Royal Hunt of the Sun (1969).
In 1967, he again starred with his wife in Custer of the West (1967) and went on to The Birthday Party (1969) and The Battle of Britain (1969).
He was nominated for his next role, as Henry VIII in A Man for All Seasons (1966), an outstanding, unequal lead performance. He would write his fourth novel "The Man in the Glass Booth," which was later made into a play with Donald Pleasence and later into a film with Maximilian Schell.
Wrote a draft of The Ipcress File (1965) that wasn't used.
He would then film The Luck of Ginger Coffey (1964) with Ure and then star in Battle of the Bulge (1965) as German Panzer commander Hessler. He wrote "The Flag" on the set of the film.
Ure divorced Osborne and married Shaw in April 1963. The couple was often quoted by the press as being "very much in love," and they would have four children together: Colin, Elizabeth, Hannah and Ian.
He also made Tomorrow at Ten (1963), as well as a TV version of Hamlet as Claudius.
That same year, after making the next two films, The Valiant (1962) and The Guest (1963), he made From Russia with Love (1963) and was unforgettable as blond assassin, Donald 'Red' Grant.
Shaw and Ure acted together in Middleton's The Changeling at the Royal Court Theatre in London in 1961. He was playing the part of an ugly servant in love with the mistress of the house, who persuades him to murder her fiance. Shaw and Ure had a child on August 31 even though they were still married to their other spouses. His wife, Jennifer, and Ure had children of his only weeks apart from each other.
It was around then, in 1960, that Robert Shaw became a reporter for England's Queen magazine and covered the Olympics in Rome.
Around 1959, he became involved with well-known actress Mary Ure, who was married to actor John Osborne at the time. He slipped her his telephone number one night at 3 a. m. while visiting the couple, and she called him the next day.
A keen sportsman, he played rugby for London Wasps. In 1957 his school quarter-mile record still stood. He was an expert swordsman and a squash enthusiast.
He would also make "Hill in Korea" around that time and then, after taking on several jobs as a struggling actor and to support his growing family, he would be cast as Dan Tempest in The Buccaneers (1956). Shaw did not take his role seriously but made £10,000 for eight months' work. It was around that time that he wrote his first novel, "The Hiding Place. " It was a success, selling 12,000 copies in England and about the same in France and in the United States.
He also wrote a dramatization of it that was produced on commercial television in England, and Days Of Wine & Roses - Cliff Robertson & Piper Laurie, "Playhouse 90" Original TV Version (1956) aired a different dramatization in America.
He would also appear briefly in The Dam Busters (1955) and did the London production of "Tiger at the Gates" in June 1955 as Topman.
It was also at this time that he married his first wife, Jennifer Bourne, an actress he had met while working at the Old Vic, and married her in Sallsbury, South Rhodesia, on August 1, 1952. Together they would have four daughters: Deborah, Penny, Rachel and Katherine.
He then went on to his first film role, a very small part in the classic The Lavender Hill Mob (1951) with Guinness but a start nonetheless.
He was discovered while performing in "Much Ado About Nothing" in 1950 at Stratford by Sir Alec Guinness, who suggested he come to London to do Hamlet with him.
" He then went on to make his professional stage debut in 1949 and tour Australia in the same year with the Old Vic. He had joined the Old Vic at the invitation of Tyrone Guthrie, who had directed him as the Duke of Suffolk in "Henry VIII" at Stratford. He played nothing but lesser Shakespearean roles, Cassio in "Othello" and Lysander in "A Midsummer Night's Dream" and toured Europe and South Africa with the company. Shaw was sold on Shakespeare and thought that it would be his theatrical life at that stage.
He went on from the Academy, after two years (1946-1948) to Stratford-on-Avon, where he was directed by Gielgud, who said to Shaw, "I do admire you and think you've got a lot of ability, and I'd like to help you, but you make me so nervous.
The first play Robert would ever see was "Hamlet" in 1944 with Sir John Gielgud at the Haymarket. Robert went to the Royal Academy of Dramatic Arts with a £1,000 inheritance from his grandmother.
One of three actors to have been Oscar-nominated for playing King Henry VIII of England. The other two are Charles Laughton and Richard Burton, but Laughton is the only one of the three to have won (in 1933).
Robert Archibald Shaw was born on August 9, 1927, in Westhoughton, Lancashire, England, the eldest son of Doreen Nora (Avery), a nurse, and Thomas Archibald Shaw, a doctor. His paternal grandfather was Scottish, from Argyll. Shaw's mother, who was born in Piggs Peak, Swaziland, met his father while she was a nurse at a hospital in Truro, Cornwall. His father was an alcoholic and a manic depressive; he committed suicide when Robert was only 12. He had three sisters--Elisabeth, Joanna and Wendy--and one brother, Alexander. As a boy, he attended school in Truro and was quite an athlete, competing in rugby, squash and track events but turned down an offer for a scholarship at 17 to go to London, with further education in Cambridge, as he did not want a career in medicine but, luckily for the rest of us, in acting. He was also inspired by one of the schoolmasters, Cyril Wilkes, who got him to read just about everything, including all of the classics. Wilkes would take three or four of the boys to London to see plays.