Paul Douglas height - How tall is Paul Douglas?

Paul Douglas was born on 1950 in St. Ann Parish, Jamaica, is a Jamaician Grammy Award-winning musician. At 70 years old, Paul Douglas height not available right now. We will update Paul Douglas's height soon as possible.

Now We discover Paul Douglas's Biography, Age, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is He in this year and how He spends money? Also learn how He earned most of net worth at the age of 72 years old?

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Paul Douglas Age 72 years old
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Born
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Birthplace St. Ann Parish, Jamaica
Nationality Jamaica

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Paul Douglas Weight & Measurements

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Dating & Relationship status

He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

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Paul Douglas Net Worth

He net worth has been growing significantly in 2021-22. So, how much is Paul Douglas worth at the age of 72 years old? Paul Douglas’s income source is mostly from being a successful Musician. He is from Jamaica. We have estimated Paul Douglas's net worth , money, salary, income, and assets.

Net Worth in 2022 $1 Million - $5 Million
Salary in 2022 Under Review
Net Worth in 2021 Pending
Salary in 2021 Under Review
House Not Available
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Source of Income Musician

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Timeline

2019

Douglas’ musical influences include Lloyd Knibb, Steve Gadd, Harvey Mason, Sonny Emory, Elvin Jones, William Kennedy, Carlos Santana, Bob Marley, John Coltrane, Sam Cooke, George Duke, Boris Gardiner, The Skatalites, Eric Gale, Leslie Butler, George Benson, Marvin Gaye, David Garibaldi, and David Sanborn.

"...Reggae was born. Toots (Toots Hibbert) heralded the new sound with the seminal, complex groove monster "Do the Reggay"...Toots could do no wrong recording for Leslie Kong. With the consistent nucleus of musicians, the Beverley's All-Stars (Jackie Jackson, Winston Wright, Hux Brown, Rad Bryan, Paul Douglas and Winston Grennan) and the Maytals’ brilliant harmonizing..."

“We’re all original members of Toots and the Maytals band. First it was Toots and the Maytals, three guys: Toots, Raleigh, and Jerry. …And then they were signed to Island Records, Chris Blackwell. And we were their recording band. One day we were summoned to Chris’ house. And he says, “Alright gentleman, I think it’s time. Toots and the Maytals looks like it’s going to be a big thing”. By this time he had already signed Bob (Marley). So in his camp, Island Records, there was Toots and the Maytals / Bob Marley; we were talking about reggae is going international now. We kept on meeting and he (Blackwell) decided that the backing band that back all of the songs, the recording band, should be the Maytals band. So everything came under Toots and the Maytals. So we became Maytals also. And then we hit the road in 1975...we were the opening act for the Eagles, Linda Ronstadt, and Jackson Browne. We were the opening act for The Who for about two weeks.”

The first Toots and the Maytals album released and distributed by Chris Blackwell’s Island Records was Funky Kingston. Music critic Lester Bangs described the album in Stereo Review as “perfection, the most exciting and diversified set of reggae tunes by a single artist yet released.” As Chris Blackwell says, “The Maytals were unlike anything else...sensational, raw and dynamic.” Blackwell had a strong commitment to Toots and the Maytals, saying “I’ve known Toots longer than anybody – much longer than Bob (Marley). Toots is one of the purest human beings I’ve met in my life, pure almost to a fault.”

Douglas contributed to several of Bob Marley’s albums, including Small Axe and Soul Shakedown Party which were released on the Beverley's label, and performed live with Bob Marley and the Wailers in the early 70s. The Wailers worked with reggae producer Leslie Kong, who used his studio musicians called Beverley's All-Stars (Jackie Jackson, Paul Douglas, Gladstone Anderson, Winston Wright, Rad Bryan, Hux Brown) to record the songs that would be released as an album entitled “The Best of The Wailers”. The tracks included “Soul Shakedown Party,” “Stop That Train,” “Caution,” “Go Tell It on the Mountain,” “Soon Come,” “Can’t You See,” “Soul Captives,” “Cheer Up,” “Back Out,” and “Do It Twice”.

Douglas’ work as a session musician crosses several genres. His talent on the drums earned him recognition and respect from producers

"In the U.K. Trojan Records released Clancy (Eccles)’s productions...The finest musicians available were used, with the core of his regular session crew, The Dynamites, featuring the talents of Hux Brown (guitar), Clifton "Jackie" Jackson (bass), Gladstone Anderson (piano), Winston Wright (organ) and Paul Douglas (drums)."

In addition to recordings completed as a member of affiliated acts, Douglas’ studio work includes sessions with:

2018

Paul Douglas, Jackie Jackson and Radcliffe ‘Dougie’ Bryan are recognized as founding members who, along with frontman Toots Hibbert, continue to perform in the group to the present day.

2017

In 2017, Toots and the Maytals became the second reggae-based group to ever perform at the Coachella festival, after Chronixx in 2016.

On June 24, 2017 at the Glastonbury Festival, reggae group Toots and the Maytals were slotted for 17:30 with BBC Four scheduled to show highlights from their set. When they did not show it was suspected they missed their time slot, and BBC broadcaster Mark Radcliffe apologized on their behalf stating, "If you were expecting Toots and the Maytals – and, frankly, we all were – it seems like they were on Jamaican time or something because they didn't make it to the site on time." The group credited with coining the term "reggae" in song was subsequently rescheduled by the Glastonbury Festival organizers giving Toots and the Maytals the midnight slot, with all other acts being shifted by one hour.

On July 29, 2017 Toots and The Maytals headlined the 35th anniversary of the WOMAD UK festival.

In an interview with Batterie Magazine for their 2017 September/October edition, Douglas was asked about his work as the main drummer and musical director for Toots and the Maytals, in addition to being called upon by artists and producers such as Bob Marley, Lee Scratch Perry, Eric Gale, Ken Boothe, The Congos and Delroy Wilson. In the interview, Douglas explains one of his heroes to be Lloyd Knibb of The Skatalites, as well as being influenced my musicians such as George Benson, Carlos Santana, John Coltrane, Sam Cooke, and David Sanborn.

From April 2017 to August 2017, Douglas is part of the Exposition Jamaica Jamaica ! at the Philharmonie de Paris in France. Douglas is featured on the poster displayed at the exposition showing the early formation of Bob Marley & The Wailers on the Tuff Gong record label, and he is additionally part of the exposition as a member of Toots and the Maytals for their importance in the development of reggae music.

2016

In an interview with Mikey Thompson on November 27, 2016 for Kool 97 FM, Jackie Jackson along with Paul Douglas and Radcliffe "Dougie" Bryan were asked about the many recordings they did together as the rhythm section for Treasure Isle Records, Beverley's Records, Channel One Studios and Federal Records. In addition to work mentioned with Sonia Pottinger, Duke Reid, Lynn Taitt, Delroy Wilson, and Lee "Scratch" Perry, they were interviewed about working on the following songs:

2015

In 2015, Vogue magazine listed the song “54-46 Was My Number” by Toots and the Maytals as one of their “15 Roots Reggae Songs You Should Know”; and in an interview with Patricia Chin of VP Records, Vogue listed the group as part of an abbreviated list of early “reggae royalty” that recorded at Studio 17 in Kingston, Jamaica which included Bob Marley, Peter Tosh, Gregory Isaacs, Dennis Brown, Burning Spear, Toots and the Maytals, The Heptones, and Bunny Wailer.

2011

In 2011, Douglas was part of the documentary released by Director George Scott and Producer Nick De Grunwald called Reggae Got Soul: The Story of Toots and the Maytals which was featured on BBC Television. Described as “The untold story of one of the most influential artists ever to come out of Jamaica”, it features appearances by Marcia Griffiths, Jimmy Cliff, Bonnie Raitt, Eric Clapton, Keith Richards, Willie Nelson, Anthony DeCurtis, Ziggy Marley, Chris Blackwell, Paolo Nutini, Sly Dunbar, and Robbie Shakespeare.

2004

President Donald Trump was quoted as appreciating the reggae music of Toots and the Maytals when he said, “I heard the guest band, Toots & The Maytals, practising out on the set [of Saturday Night Live; Trump co-hosted an episode in April 2004]. They sounded terrific, and I went out to listen to them for a while. My daughter Ivanka had told me how great they were, and she was right. The music relaxed me, and surprisingly, I was not nervous."

1975

On 1 October 1975, Toots and the Maytals were broadcast live on KMET-FM as they performed at The Roxy Theatre in Los Angeles. This broadcast was re-mastered and released as an album entitled “Sailin’ On” via Klondike Records.

In 1975 Douglas joined Byron Lee and the Dragonaires as a session musician, and later became a band member, as the group’s drummer on the Sparrow Dragon Again LP.

1974

Douglas toured the UK with John Holt (singer) in 1974. This was the first major reggae tour that was accompanied by a major orchestra, a 15-piece orchestra out of England. The members of this tour included six veteran session musicians: Hux Brown (Guitar), Jackie Jackson (Bass), Paul Douglas (Drums), Rad Bryan (Guitar), Winston Wright (Organ), and Gladstone Anderson (Piano). Douglas also joined and played with The Pioneers band which featured Eddy Grant from The Equals that same year in England.

1970

Between 1970 - 1973 Douglas was the drummer for The Boris Gardiner Happening, completing five LP’s with the group. The Boris Gardiner Happening recorded a version of "Ain't No Sunshine" in 1973 with Paul Douglas singing lead, and Boris Gardiner playing bass guitar, for the album Is What's Happening.

1969

In 1969 Douglas joined Toots and the Maytals as a founding member of the band as it is known today, which up to that time had consisted of a vocal trio. Douglas has been the group’s drummer, percussionist and bandleader from 1985 to the present day.

1968

reggae [reg-ey] (noun) - a style of Jamaican popular music blending blues, calypso, and rock-'n'-roll, characterized by a strong syncopated rhythm and lyrics of social protest. Origin of reggae: Jamaican English, respelling of reggay (introduced in the song “Do the Reggay” (1968) by Frederick “Toots” Hibbert).

Douglas was a member of Tommy McCook & The Supersonics from 1968 - 1969, during which time the group released three LP’s.

1965

Paul Douglas was born in St. Ann, Jamaica. His career as a professional musician began in 1965 at the age of 15.

While Douglas has maintained an active career as a studio musician for reggae, jazz, and funk artists since 1965, he has also been a member of several notable musical groups.

1950

Earl “Paul” Douglas (born c. 1950) is a Jamaician Grammy Award-winning drummer and percussionist, best known for his work as the drummer, percussionist and bandleader of Toots and the Maytals. His career spans more than five decades as one of reggae's most recorded drummers. Music journalist and reggae historian David Katz wrote, “dependable drummer Paul Douglas played on countless reggae hits."