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In 2014, Moleskine launched a supplement about Studio MK27 showing the quotidian in the office, sketches and their main inspirations. The book will be a part of the series “Inspiration and Process in Architecture”.

Kogan's projects are characterized by their architectural detail, formal simplicity, strong relations between the internal and external, great climactic comfort through passive sustainability, use of pure volumes and the application of traditional elements such as mashrabiyas and by designing a functional internal plan. Furthermore, he favors the use of raw materials such as wood, concrete and stone. In his projects there is almost always a reference to Brazilian modern architecture, of which Marcio has already declared himself a great fan. The New York Times critic Paul Goldberger cited Kogan in 2013 as one of the main references of Brazilian Contemporary Architecture.

In 2011, Kogan was selected to be an Honorary Member of the American Institute of Architects (AIA), also given to another Brazilian, Angelo Bucci, that same year. For the Venice Biennale of Architecture in 2012, Studio MK27 produced a video installation representing fictional in the V4 House. The Brazilian Pavilion was greatly praised by the international media including the British paper “The Guardian” with the critic Steve Rose classifying the installation as the “highlight of the Biennale” and “great fun”.

Furthermore, Studio MK27, during these last few years, began designing furniture, including fixtures, taps and a bathtub. Among the main international awards received recently, highlights include: Leaf Awards with the Punta Casa (2011) and the M&M House (2013), the Record House with Bahia House (2011) and the World Architecture Festival (WAF) with the Decameron Store (2011), Record Interiors with Studio SC (2012) and the International Design Award with the Redux House (2014). Studio R was selected in 2014 as a finalist in the Mies Crown Hall Americas Prize as one of the 36 projects built in America between 2000 and 2013.

Paraty House, concluded in 2009, received great attention from the specialized media, winning 10 international awards, including the Wallpaper* Design Award promoted to by the British magazine.

During the first decade of the 20th century, two of Studio MK27 houses won the Record House Award, promoted by the prestigious North-American magazine Architectural Record: the Du Plessis Home (2004), which does a re-reading of the traditional elements of Brazilian architecture, such as veranda, the mashrabiyas and the patio, and shortly thereafter BR House (2005). For Micasa VolB, Studio MK27 returns with humor in architecture, this time in a commentary in Brazilian modernism. The project of this furniture store-showroom was largely defined in discussion on the work-site. The traditional exposed concrete was done randomly, and building elements such as steel reinforcing bars were used as brises-soleil.

Already in this phase, the Gama Issa House (2002) was greatly published in international magazines. Highlights from these first years of Studio MK27 also include Coser Photographic Studio – built within an industrial warehouse in the Cambuci neighborhood of São Paulo – and the Microbiology Museum at the Butantan Institute in São Paulo – a retrofit of an older structure, transformed into a center for didactic activities.

In 2001, Marcio Kogan's Office changed its name to Studio MK27 and since then has gained greater international projection. Currently, besides his working in Brazil, he is also working on projects in Peru, Uruguay, Chile, United States, Canada, Spain, Portugal, Switzerland, India, Israel and Indonesia. In 2011, Kogan was selected to be an Honorary Member of the American Institute of Architecture (AIA), for the entirety of his work, in a ceremony in New Orleans. In 2012, Studio MK27 represented Brazil in the Venice Biennale of Architecture, in the exhibition at the national pavilion curated by Lauro Cavalcanti, who also showed an outstanding Lúcio Costa installation.

In 2001, Marcio Kogan's office became more collaborative and also received a new name, Studio MK27. The work system adopted gave greater freedom as well as responsibility to the architects, who have also now become co-authors of the projects, signing together with Kogan. In this organization, the task division was minimized and each architect accompanied all of the phases of the project, from the briefing with the client until the project delivery.

Since 2001 Studio MK27 has won more than 200 Brazilian and international awards, as IAB-BR, WAF, Architectural Review, Dédalo Minosse, Record House, LEAF, D&AD, Sparks, Barbara Capochin, Icônico, AZ and Wallpaper Design Award.

During the 1990s, Kogan and Weinfeld designed the Metropolis Building (a residential tower in Morumbi), finished in 1996, and the Hotel Fasano, one of the most important luxury hotels in São Paulo, and headed by a traditional family of restaurateurs of the city. Construction of Fasano started in 1996 and was completed in 2003. The partnership in film-making opened for exhibits about architecture and humor.

Among the individual architectural projects developed in the 1990s, the outstanding ones are the Larmod Store and the Uma Store in Vila Madalena. The projects explored the internal spatiality with large ceiling-heights and minimized the use of materials and colors, almost always done in white mortar.

In Architecture, the principal projects of the onset of his career were the buildings of his office in 1977 (located in São Paulo) – where he still maintains his activities – and Edificio Ljis (a 12-floor Residential building), finished in 1980. Other than there solo projects, he also did with Weinfeld the Goldfarb House in 1989, which brought references of Vila Arpel From the film My Uncle by Jacques Tati.

During the first years of his career, the architectural projects were divided with Kogan's dedication to film-making. Between 1973 and 1979 he produced – together with Isay Weinfeld – 13 short films in Super 8, winning numerous awards in national festivals. In 1983, the two made another short film, now in 35mm, “Idos com o Vento”, which received a prize at the Gramado Festival and at the Ibero-American Cine Huelva in Spain. Five years later, they launched their first and only long-feature, Fire and Passion (1988), with a star-filled cast that included Mira Haar, Cristina Mutarelli, Carlos Moreno, Rita Lee and Fernanda Montenegro. All of their film productions had a strong relation with humor, above all through visual jokes, expressed by the interaction of the characters and the scenario.

Marcio Kogan (born March 6, 1952, São Paulo, Brazil) graduated from the School of Architecture and Urbanism at the University Presbyterian Mackenzie in 1976. He is the son of the engineer Aron Kogan, who became known in the 1950s and 1960s for the design and construction of large buildings in São Paulo, such as Edificio São Vito and Edificio Mirante do Vale. During the onset of his carecer, Marcio divided his time between cinema and architecture in partnership with Isay Weinfeld, his friend from university. In 1988, the duo produced a feature-film called “Fire and Passion”, and, between 1995 and 2004, they did 5 exhibitions together about architecture and humor.