Julia Feyrer height - How tall is Julia Feyrer?

Julia Feyrer was born on 1982 in Victoria, Canada. At 38 years old, Julia Feyrer height not available right now. We will update Julia Feyrer's height soon as possible.

Now We discover Julia Feyrer's Biography, Age, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is She in this year and how She spends money? Also learn how She earned most of net worth at the age of 38 years old?

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Age 38 years old
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Birthplace Victoria, Canada
Nationality Canadian

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Julia Feyrer Weight & Measurements

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She is currently single. She is not dating anyone. We don't have much information about She's past relationship and any previous engaged. According to our Database, She has no children.

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Julia Feyrer Net Worth

She net worth has been growing significantly in 2018-19. So, how much is Julia Feyrer worth at the age of 38 years old? Julia Feyrer’s income source is mostly from being a successful . She is from Canadian. We have estimated Julia Feyrer's net worth, money, salary, income, and assets.

Net Worth in 2020 $1 Million - $5 Million
Salary in 2019 Under Review
Net Worth in 2019 Pending
Salary in 2019 Under Review
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Timeline

2019

Julia Feyrer’s practice is cross-disciplinary, with a focus on photography, film, and mixed media installations. Their photographic work can be described as continuing to challenge "alchemical transformations of the daguerreotype" of staged settings recorded as historical documents.

The daguerreotypes of The Artist’s Studio (2012) were acquired by the Morris and Helen Belkin Art Gallery, Vancouver, BC., in 2012.

Feyrer’s first solo exhibition, The Poodle Dog Ornamental Bar (2010) was held at Artspeak in Vancouver. It consisted of a 9-minute film based on an installation that recreated a late 19th century Vancouver bar on the 300-block of West Cordova Street. Their interest in the Vancouver bar came about when they encountered an archival photograph of the bar’s vacant interior.

2014

An exhibition of 16mm, cyanotype and artist books at the Western Front in 2014, related to mediated perception and measurement. The 16mm film produced for this exhibition was later exhibited at the Vancouver Art Gallery as part of the exhibition Ambivalent Pleasures (2016).

In their exhibition and residency at grunt gallery in 2014, Feyrer transformed the main gallery space into a site-specific environment to engage with materials and documentation they retrieved from the grunt archives.

2013

Feyrer and Henderson have three notable collaborative exhibitions: Bottles Under the Influence: Julia Feyrer and Tamara Henderson at the Walter Phillips Gallery, Banff (2013); Tamara Henderson and Julia Feyrer: Consider the Belvedere at the Institute of Contemporary Art, Philadelphia (2015); and The Last Waves at the Morris and Helen Belkin Art Gallery, Vancouver, British Columbia, Canada (2016). These exhibitions are seen as a three-part project taking place in three different galleries. Andre Breton’s Surrealist texts, such as the First Surrealist Manifesto (1940), are often referenced when discussing the collaborators’ artworks. Further, Breton’s The Communicating Vessels (1939), which connects the nature of Surrealism with everyday objects, serves as a passageway into Feyrer and Henderson’s collaborations, which engage with film, sculpture, installation, performance, and book objects. Their exhibition at the Morris and Helen Belkin Art Gallery was described as being able to "plunge us into a world of dreams" such as the ones we unconsciously experience during our sleep. Their collaborative art practice layers a myriad of references to film and literature while simultaneously expressing an interest in the symbolic significance of the materials they use. Their collaborative works were also exhibited as part of The Metamorphosis (2018), at the Vancouver Art Gallery.

2012

Alternatives and Opportunities (2012) was Feyrer’s first show at Catriona Jeffries Gallery. The show included 16mm film, sculptures, and daguerreotype prints. Among the works included was The Artist’s Studio (2012), a three-part daguerreotype based on Louis Daguerre’s daguerreotype of ‘an artist studio’ taken in 1836. In Little pitchers have ears (2012), Feyrer created a binaural microphone in the shape of a head that recorded their walk around the museum spaces of the Royal BC Museum in Victoria, BC. Their film, Dailies (2012), documents the production of clocks, which are described as being, "each ‘alive’ yet paralyzed in their moment, performing a durational yet non-progressive trick precariously and nervously."

2007

Feyrer met fellow Canadian artist Tamara Henderson in Frankfurt in 2007 and they have since informed each other’s artistic inquiries, culminating in several collaborative exhibitions. Their first collaborative work was the screening Ett historia den objekt, snö vax skugga, There Ain’t No Cure (2010) screened in Berlin, Germany.

2005

Feyrer was born in Victoria, British Columbia. They obtained a Bachelor of Media Art at the Emily Carr Institute of Art and Design in 2005 and completed their MA at the Städelschule, Staatliche Hochschule für Bildende Künste in Frankfurt am Main in 2010.

1982

Julia Feyrer (born 1982) is a Canadian visual artist, performer, and writer based in Vancouver, British Columbia.