John A. Keel height - How tall is John A. Keel?

John A. Keel (Alva John Kiehle) was born on 25 March, 1930 in Hornell, NY, is an American journalist. At 79 years old, John A. Keel height is 6 ft 2 in (188.0 cm).

Now We discover John A. Keel's Biography, Age, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is He in this year and how He spends money? Also learn how He earned most of net worth at the age of 79 years old?

Popular As Alva John Kiehle
Occupation script_department,writer
Age 79 years old
Zodiac Sign Aries
Born 25 March 1930
Birthday 25 March
Birthplace Hornell, NY
Date of death July 3, 2009
Died Place New York, NY
Nationality NY

We recommend you to check the complete list of Famous People born on 25 March. He is a member of famous Script Department with the age 79 years old group.

John A. Keel Weight & Measurements

Physical Status
Weight Not Available
Body Measurements Not Available
Eye Color Not Available
Hair Color Not Available

Dating & Relationship status

He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

Family
Parents Not Available
Wife Not Available
Sibling Not Available
Children Not Available

John A. Keel Net Worth

He net worth has been growing significantly in 2018-19. So, how much is John A. Keel worth at the age of 79 years old? John A. Keel’s income source is mostly from being a successful Script Department. He is from NY. We have estimated John A. Keel's net worth, money, salary, income, and assets.

Net Worth in 2020 $1 Million - $5 Million
Salary in 2019 Under Review
Net Worth in 2019 Pending
Salary in 2019 Under Review
House Not Available
Cars Not Available
Source of Income Script Department

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Timeline

2009

He died on July 3, 2009 in New York City, at the age of 79.

2002

He is known for his work on The Mothman Prophecies (2002), Mack & Myer for Hire (1963) and The Mothman's Photographer (2008).

1967

In 1967, Keel popularized the term "men In black" in an article for the men's adventure magazine Saga, entitled "UFO Agents of Terror".

1960

Like contemporary 1960s researchers such as J. Allen Hynek and Jacques Vallée, Keel was initially hopeful that he could somehow validate the prevailing extraterrestrial visitation hypothesis. However, after one year of investigations, Keel concluded that the extraterrestrial hypothesis was untenable. Indeed, both Hynek and Vallée eventually arrived at a similar conclusion. As Keel himself wrote:

1957

In 1957, he published Jadoo, a book describing his time in Egypt and India investigating the Indian rope trick and the legendary yeti. In 1966 he produced the "spy and superhero" spoof novel The Fickle Finger of Fate. Influenced by writers such as Charles Fort, he began contributing articles to Flying Saucer Review and took up investigating UFOs and assorted Forteana as a full-time pursuit. Keel analyzed what he called "windows" and "waves" (or flaps, as they are often called) of reported UFO events, concluding that a disproportionate number occurred on Wednesdays and Saturdays. A member of the Screenwriters Guild, Keel reportedly wrote scripts for Get Smart, The Monkees, Mack & Myer for Hire, and Lost in Space.

1930

John A. Keel was born on March 25, 1930 in Hornell, New York, USA as Alva John Kiehle.

1897

In UFOs: Operation Trojan Horse Keel argues that a non-human or spiritual intelligence source has staged whole events over a long period of time in order to propagate and reinforce certain erroneous belief systems. For example, monsters, ghosts and demons, the fairy faith in Middle Europe, vampire legends, mystery airships in 1897, mystery aeroplanes of the 1930s, mystery helicopters, anomalous creature sightings, poltergeist phenomena, balls of light, and UFOs. Keel conjectured that ultimately all of these anomalies are a cover for the real phenomenon. He used the term "ultraterrestrials" to describe UFO occupants he believed to be non-human entities capable of taking on whatever form they want.