Dianna Molzan height - How tall is Dianna Molzan?

Dianna Molzan was born on 1972 in Tacoma, WA, is an American painter. At 48 years old, Dianna Molzan height not available right now. We will update Dianna Molzan's height soon as possible.

Now We discover Dianna Molzan's Biography, Age, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is She in this year and how She spends money? Also learn how She earned most of net worth at the age of 50 years old?

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Dianna Molzan Age 50 years old
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Birthplace Tacoma, WA
Nationality American

We recommend you to check the complete list of Famous People born on . She is a member of famous Painter with the age 50 years old group.

Dianna Molzan Weight & Measurements

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She is currently single. She is not dating anyone. We don't have much information about She's past relationship and any previous engaged. According to our Database, She has no children.

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Dianna Molzan Net Worth

She net worth has been growing significantly in 2021-22. So, how much is Dianna Molzan worth at the age of 50 years old? Dianna Molzanā€™s income source is mostly from being a successful Painter. She is from American. We have estimated Dianna Molzan's net worth , money, salary, income, and assets.

Net Worth in 2022 $1 Million - $5 Million
Salary in 2022 Under Review
Net Worth in 2021 Pending
Salary in 2021 Under Review
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Source of Income Painter

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Timeline

2019

Molzan’s pieces consist of a process of deconstruction of the traditional elements of painting, which are then recombined into a new composition. She creates a juxtaposition between the mediums of sculpture and painting through the alteration of the physical state of the canvas.

Molzan’s work is associated with the techniques of impressionism, abstract expressionism, and minimalism.

In conversation with curator Margot Norton of the Whitney Museum, Molzan states, " I limit myself to traditional painting materials because I want to show that it isn’t the materials that have changed over the centuries, but the thinking about the materials and the philosophy behind their application. Oil paint and linen and the wooden support are all inherited materials that date back to the Renaissance and continue through modernism and all the other styles of painting that are radically different from one another but use the same stuff. I love that I can paint-splatter a canvas and make it look like hard plastic by using more or less the same materials Rousseau used to depict the forest of Fontainebleau in the nineteenth century."

2011

Molzan's solo exhibition at the Whitney Museum of American Art titled "Bologna Meissen" in 2011 was her first solo museum exhibition and debut in New York. According to the Whitney Museum, Molzan "uses a variety of material approaches that differ from one work to the next, each painting exhibits a subtle precision in its intention and execution. Although she works with traditional materials, such as oil on linen, she approaches her canvases irreverently, invoking elements of fashion, the decorative arts, ceramics, and popular design." Molzan chose the title for "Bologna Meissen" because of "two cities that are the origins of two of [Molzan's] biggest influences—Bologna, Italy, for the painter Giorgio Morandi and Meissen, Germany, for Meissen porcelain ware."

1972

Dianna Molzan (born 1972) is an American contemporary artist and painter based in Los Angeles. Thus far in her career, she is known for exploring the relationship between painting and sculpture through deconstruction and materialization of traditional painting materials and tools.

Dianna Molzan was born in 1972 in Tacoma, Washington. She earned her Bachelor of Fine Arts from the School of the Art Institute of Chicago in 2001 and also attended the Universität der Künste in Berlin. She received her Masters of Fine Arts from the University of Southern California, writing her senior thesis, How the Frame was One, on the development both theoretical and symbolic framing devices within art, primarily focusing on two works: Georges Seurat's La Grande Jatte (1884) and Eva Hesse's Hang Up (1966). Her first solo exhibition was at Overduin and Kite, Los Angeles, in 2009.