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In 2019, Ben was a featured alumni by the University of Toronto in a video that highlights a summary of his work and contributions to magic.

He is one of the founders of Magicana—a performing arts organization dedicated to the study, exploration and advancement of magic as a performing art—and currently serves its artistic director. He is the publisher and editor of Magicol, a journal of magic history and collectibles. He is the sole protégé of a fellow Canadian, twentieth century sleight-of-hand artist, Ross Bertram, and biographer (and representative of the Estate) of celebrated magician, Dai Vernon.

The Conjuror was remounted in December 2014 for a limited-engagement of 12 shows for six days for Soulpepper Theatre.

Collaborating again with Watson, Ben wrote a new theatrical work, Tricks—a post-modern show focusing on the classics of magic. He returned to the stage with critical success. Designer credits: set design by David Rayfield, lighting by Bonnie Beecher and an original score by John Lang. The work was presented in 2004 at Artword Theatre (Toronto) in collaboration with Magicana.

In 2014, Ben wrote, performed and directed, Card Table Artifice which was produced by Magicana in collaboration with the Luminato Festival. The show was a new work based on A Man in a Room, Gambling, originally created by Gavin Bryars and Juan Muñoz. The 2014 presentation was a performance art piece with three areas of the stage occupied with Ben performing live, sleight-of-hand gambling technique, Bryars leading a string quartet and a narrator, Canadian actor, RH Thompson, reading passages which described the technique displayed by Ben on a large video screen behind the performers. There were two performances, June 13 and 14, 2014 which received warm reviews.

For 2014, Ben again produced (in association with Magicana), two programs for Luminato themed as Transgressive Magic. The first was Bullet Catch a magic/performance art show written and performed by Scottish performer, Rob Drummond, about the (fictional) case of William Henderson, a magician apparently killed in front of 2,000 people while performing the famed bullet catch in 1912. The second was Card Table Artifice written by David Ben and composed by Gavin Bryars and presented as a performance art piece with the simultaneous presentation of Ben performing card table artistry, Bryars leading a string quartet and narration by Canadian actor, RH Thomson. The show also included an opening act by magician, Rob Zabrecky.

He also assisted his wife, Jan Howlett, an accomplished educator and former Director of Public Programming and Education for the Royal Ontario Museum, and executive director of the Children's Own Museum with the formation of her own school, the Howlett Academy, an independent school (JK–Grade 8) located in Toronto. When Howlett died on July 14, 2013 from complications due to brain cancer, Ben assumed the role of director for the Howlett Academy.

In 2013 Ben also produced in association with Magicana, three more programs for Luminato: Concerto for Piano & Pasteboards by Spanish magician, Miguel Puga; Chamber Magic by Steve Cohen; and Compositions by magician Rafael Benatar. In addition to producing these live performances, Ben produced in association with Magicana and Reel Time Images, a film The Devil's Playthings, a short, fantasy film mixing cinema and sleight-of-hand.

In 2012 Ben produced, in association with Magicana, three new programs for Luminato. The first was The Alpha Project by the mentalist, Banachek; The Cheat by Richard Turner; and From The Dark by Chilean magician Juan Esteban Varela.

In 2011, Ben mounted a new show, Natural Magick which was produced by Magicana in collaboration with the Luminato Festival. This show was inspired by John Baptista della Porta's 1558 scientific treatise, "Natural Magick", Shahrazad's tales, Kenneth Burke's A Grammar of Motives and the modern notions of magic as espoused by master magician, Dai Vernon. The new work featured a set by David Rayfield and multimedia imagery by Cameron Davis, lighting by Bonnie Beecher and music by John Lang. Ben presented new sleight-of-hand pieces from his repertoire and received critical acclaim for his work. Natural Magick was a top pick for the Festival. Natural Magick was presented as part of the Master of Magic series for Luminato at the Tarragon Theatre (Toronto).

In 2011 Ben was again called upon by Luminato to curate magic for the Festival. He produced three shows: Toast of the Town (Eric Mead), Natural Magick and Vodvil. While Natural Magick featured magic performed by David Ben, Vodvil involved five magic acts by artists of international acclaim – namely, The Great Tomsoni & Company (John and Pam Thompson), Mike Caveney, Tina Lenert, Ardan James and Gaëtan Bloom (of France). "Vodvil" was presented in the historic Winter Garden Theatre in Toronto keeping in step with the vaudevillian theme of the show.

In 2010, Ben was invited to program and produce the Masters of Magic series for Luminato, a festival of creativity and the arts held in Toronto. For Luminato 2010, he produced magicians Bob Sheets, The Mac King Comedy Show, Max Maven's Thinking in Person, and North American theatrical premiere of Spain's Juan Tamariz at the Panasonic Theatre.

In 2009, Ben acquired the collection of late Canadian magic icon, Sid Lorraine, adding it to his already considerable magic holdings. Ben's holdings also include the collection of Stewart James, Willis Kenney, David Drake, Bruce Posgate, and items belonging to Dai Vernon (including props from the famed Harlequin Act). Ben developed a number of online exhibitions for Magicana including Ross Bertram, Master Magician 2010; Sid Lorraine: The Magical Chatterbox 2009; The Life & Magic of Stewart James 2007 (in collaboration with PhD student Joe Culpepper); Postcards of Magicians 2005, 2010; and Bert Douglas: A Family Remembers 2005, 2010).

In 2009 Ben became Director of the Magic Collectors Association, publisher and editor of its journal, Magicol and the convention chair for the annual gathering, the Magic Collectors Weekend. 2010 marked the 41st conference. Ben continues to serve as producer and Convention Chair of that event.

In 2005, inspired by his friend the late Tom Kneebone and the Smile Theatre Company, Ben created Senior Sorcery, a program designed to bring magic shows to immobile seniors, the goal being to create intergenerational opportunities for the old to invite the young to share the experience of magic. Magicana continues to offer Senior Sorcery to hundreds of seniors, their families and friends at centers around Toronto.

In 2004, Ben developed My Magic Hands, an outreach program designed to teach creativity and develop self-confidence and self-esteem in disadvantaged youth through the medium of magic. The program received a significant pilot funding in 2005 followed by a subsequent multi-year funding grant from the Ontario Trillium Foundation (2006–2008).

In 2003, Ben started producing through Magicana, and in association with Allan Slaight, a conference called 31 Faces North in which he and Slaight invited thirty-one of the world's foremost experts and practitioners of magic and promising young magicians to participate in a four-day think-tank of magic. The attendees represented a who's who of magic including Guest of Honours: Jay Marshall (2003), Tommy Wonder (2003), Johnny Thompson (2004), Harry Riser (2004), Billy McComb (2005), Charles Reynolds (2005), Max Maven (2006), Bob White (2006), Roberto Giobbi (2007), Stephen Minch (2007), Ton Onosaka (2008), Herb Zarrow (2008), Michael Weber (2009), Bob Sheets (2009), Gaëtan Bloom (2010) and Jim Steinmeyer (2010). Filmmaker, Daniel Zuckerbrot recorded each session, all of which is now housed in the archives of Magicana.

The play was remounted to continued acclaim in Toronto in 2002, now with original music by John Lang, and ran for six weeks.

His work in this field led to his book on the subject, Advantage Play, published by Key Porter Books in 2002 (now published by Magicana).

In May 2000, Ben co-founded, along with broadcaster Patrick Watson and producer/director Daniel Zuckerbrot, Magicana, a not-for-profit organization (and now a registered Canadian charity) dedicated to exploration and advancement of magic as a performing art.

In 1999, Ben and Watson created a new 90-minute show—The Conjuror's Suite—an exploration of parlor magic inspired by the work of Jean Eugène Robert-Houdin, Johann Nepomuk Hofzinser and Max Malini. With Ed Kotanen's design and Bonnie Beecher's lighting, Ben and Watson created a three-quarter surround theatre in the Garfield Weston Exhibition Hall at the Royal Ontario Museum for the show. The Conjuror's Suite received critical acclaim, and Ben was invited to restage the work by Curtis Barlow at the Charlottetown Festival in Prince Edward Island for the summer of 2000.

In 1997, Lindsay Sharp, then Director of the Royal Ontario Museum, invited Ben to stage The Conjuror at the ROM. Ben and his team refurbished the theatre in the Museum – a theatre that had been dormant for theatrical productions for 35 years. A 90-minute version of The Conjuror opened in December 1997 at Theatre ROM and ran for four months. It then embarked on a regional theatre tour of Ontario in the summer of 1998 "deftly conjuring [a] charming show".

The Conjuror, with set and costumes by Kelly Wolf, had its world premiere at the Shaw Festival in 1996. The show had outstanding box office and critical reviews. Christopher Newton, Artistic Director of the Shaw Festival, "dip[ped] his imagination in the Golden Age of Magic" and invited Ben and Watson to revisit The Conjuror the following season. The Conjuror – Part 2, with set design by William Schmuck and lighting by Bonnie Beecher, had its world premiere at the Shaw Festival in 1997 featuring "seven illusions accomplished with panache". At the end of the season, Ben and Watson amalgamated The Conjuror and The Conjuror – Part 2 into The Compleat Conjuror for a special gala fundraising performance for the Festival.

While Ben and Watson were developing The Conjuror, Ben became reacquainted with Daniel Zuckerbrot. Zuckerbrot, a documentary filmmaker, retained Ben to levitate David Suzuki, the host of The Nature of Things, for a Zuckerbrot film "Martin Gardner: Mathemagician" (1995). Zuckerbrot proposed recording the development of The Conjuror. The result was "A Conjuror in the Making" (1997), which aired on the Adrienne Clarkson Presents on the CBC and on Breakfast with the Arts on the A&E Network in the United States. The film follows magician David Ben and director Patrick Watson through rehearsal, show development and finally to the opening night performance at the Shaw Festival. The documentary won gold at WorldFest-Houston International Film Festival, and the Chris Statuette at the Columbus International Film & Video Festival.

He has been a professional magician, performer, entertainer and keynote speaker since 1990. Ben is known for his sleight-of-hand technique, his knowledge of magic history and his collection of magic.

However, in 1990, after producing a series of conventions, lectures and magic shows, Ben abandoned the conventional lawyer's life to pursue the art of magic.

In 1990, in addition to performing magic at corporate functions, Ben started speaking about creativity, innovation and problem-solving using the metaphor of magic to a wide range of businesses and associations in Canada and the United States.

Ben has also been a keynote speaker for the magic community providing lectures for private groups and conventions since 1985. He has been sought out to speak as an expert on sleight-of-hand magic and as a historian of magic, including unique lecture topics for The Ibidem Event (1985); the Society of American Magicians 100th Anniversary Convention in New York City (2002); the combined Society of American Magicians and International Brotherhood of Magicians conference in Louisville (2008); and multiple appearances in Hakone, Japan.

Ben graduated with a BA from University College of the University of Toronto (1983), an LLB from the University of Western Ontario (1987) and an LLM from the London School of Economics (1988). He articled at the firm of Macdonald & Hayden, was called to the bar in the province of Ontario in 1989, and joined the firm of Goodman, Phillips and Vineberg (now Goodmans) as a tax lawyer.

In 1978, Ben acquired the book The Magic and Methods of Ross Bertram and in 1979, through Morrissey, Msgr. Vincent Foy and P. Howard Lyons, met the book's author, Ross Bertram. Ben studied magic with Bertram for six years (1980–86) and became Bertram's sole protégé.

Ben was born March 5, 1961 and raised in Toronto, Ontario, Canada. His interest in magic began after receiving the book, The Stein and Day Handbook of Magic by Marvin Kaye from his father in 1973. Ben's childhood interest turned into a lifelong passion after he watched the television special Doug Henning's World of Magic (1975). Ben became a frequent visitor to the Arcade Magic and Novelty Company in Toronto, and then Morrissey Magic Ltd. While in high school, Ben worked part-time at Morrissey Magic, learning the craft from Canadian magician and store founder, Herb Morrissey.

The Conjuror was a theatrical recreation of a performance by a celebrated (but fictitious) Canadian conjuror at St. George's Hall in London circa 1909. The play was developed by Ben and Canadian broadcasting icon, Patrick Watson, after a chance encounter between the two at the home of Canadian media mogul and magic aficionado Allan Slaight.