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In 2017 Plumb installed a large scale video projection at "The Photography Show at AIPAD", at the entrance of Pier 94 in New York.

Since 2014 Plumb has installed over 100 public video projections of Thirty Times a Minute. locations (ongoing):

Colleen Plumb's first photography monograph, Animals Are Outside Today (Radius Books, 2011) critically documents our ambivalent dispositions towards animals. Her focus for nearly two decades has been an inquiry into a society whose appetite for animals, whether in flesh or in reproduction, with admiration or obsession, is voracious. The monograph includes an essay by Lisa Hostetler.

Her work has been part of The Chicago Project at Catherine Edelman Gallery in Chicago since 2005 and the Midwest Photographers Project at the Museum of Contemporary Photography since 2003. She has written for Center for Humans and Nature, an organization dedicated to exploring and promoting human responsibilities in relation to nature, and was a contributor to their book, City Creatures.

She has also participated in group exhibitions at Catherine Edelman Gallery in Chicago, Photographic Center Northwest in Seattle, Pinyao International Photography Festival in China, Griffin Museum of Photography in Massachusetts, Zolla/Lieberman Gallery in Chicago, CITY 2000 at the Chicago Cultural Center, George Mason University in Fairfax, VA, and the U.S. Botanic Garden in Washington D.C.

Colleen Plumb lives in Chicago and has taught photography and video at Columbia College Chicago, since 1999. Her career in art first started in college learning to draw at the University of Illinois; graduating in 1992 with a BFA from Northern Illinois University in Visual Communication. After this time she worked as a graphic designer for several years until seeking her degree in photography. In 1999 Plumb received an MFA in photography from Columbia College Chicago where she is currently an adjunct faculty member.

Colleen Plumb (born 1970 Chicago) is an American photographer, video artist, and public video projection artist. Her work investigates contradictory relationships people have with animals. Her recent projects explore the way animals in captivity function as symbols of persistent colonial thinking, that a striving for human domination over nature has been normalized, and that consumption masks as curiosity. Plumb's work sheds light on abnormal behaviors of captive animals in order to bring attention to implicit values of society as a whole, particularly those that perpetuate power imbalance and tyranny of artifice.