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In January 2020, Carlos Acosta was appointed as Director of Birmingham Royal Ballet, succeeding David Bintley. In February, he announced the plans for his inaugural season, including a 'Curated by Carlos' festival, and special performances with renowned ballet dancer Alessandra Ferri.

In January 2020, Carlos Acosta was appointed as Director of Birmingham Royal Ballet, succeeding David Bintley. In February, he announced the plans for his inaugural season, including a 'Curated by Carlos' festival, and special performances with renowned ballet dancer Alessandra Ferri.

In February, Acosta announced the plans for his inaugural 2020-2021 season. Plans include the three-week 'Curated by Carlos' summer festival, which will include the world premiere of Chacona, a new duet for Acosta and ballet dancer Alessandra Ferri, by Acosta Danza’s Goyo Montero.

Birmingham Royal Ballet will also perform Carlos Acosta’s Don Quixote at the Birmingham International Dance Festival in June 2020.

Acosta was appointed Commander of the Order of the British Empire (CBE) in the 2014 New Year Honours for services to ballet.

In recent years, Acosta has had a career as an international guest artist, appearing in the US, Russia, the Netherlands, Chile, Argentina, Greece, Japan, Italy, Germany and France. In June 2008 he guested for the first time with the Australian Ballet, in Jerome Robbins' Afternoon of a Faun, partnered by AB principal Kirsty Martin.

There is a video on YouTube Spartacus, Bolshoj 2008

On 5 February 2004, the world première of Dance Cuba: Dreams of Flight, a film by Cynthia Newport featuring Acosta and other former members of the National Ballet of Cuba, took place at the Miami International Film Festival.

Television performances include two live BBC broadcasts from The Royal Opera House: the Opening Celebration in December 1999 when Acosta performed the Man's Solo in Le Corsaire, and in February 2000 the role of Franz in Ninette de Valois' Coppélia. Most recently Acosta was featured in "The Reluctant Ballet Dancer", a programme in the Imagine series shown on BBC1 on 9 July 2003 and presented by Alan Yentob. He was also interviewed for the BBC's HardTalk programme which was broadcast on Christmas Day 2003. In 2006 he was filmed in the BBC studios performing a dance from Tocororo, which was broadcast on the Newsnight programme.

Acosta was a guest artist with the American Ballet Theatre during the company's Metropolitan Opera House season in the summer of 2002, when he performed Prince Désiré in Sleeping Beauty Act III, Oberon in The Dream, Colas in La Fille mal gardée and Conrad in Le Corsaire. He rejoined the ABT (under artistic director Kevin McKenzie) as Principal Dancer, for the company's 2003 autumn season at New York City Center, to perform in the Tchaikovsky Pas de Deux and a new staging of Raymonda (Grand Pas Classique).

During the 2001/2 season he made his debut as Basilio in Nureyev's Don Quixote, and in the 2002/2003 season he made his debut as the title role in George Balanchine's Apollo. He has created roles in Ashley Page's Hidden Variables and William Tuckett's 3:4.

In 1998, Acosta joined The Royal Ballet, London, under the direction of Anthony Dowell. His roles with the company have included:

In 1997 he created the role of Frederick in Stevenson's Dracula and in 1998 he added the role of Misgir in the première of Stevenson's The Snow Maiden, partnering Nina Ananiashvili.

In 1997 CBS News filmed Acosta for a special report for their programme 60 Minutes (broadcast in January 1998), following him during his performances for the Houston Ballet and relaxing with friends and family in Cuba.

In November 1993 he was invited by Ben Stevenson, the artistic director of Houston Ballet, to join the company as a principal dancer, and he made his American stage debut as the Prince in The Nutcracker. Following this, his repertory included:

In 1992 and 1993 he was a member of the National Ballet of Cuba under the artistic director Alicia Alonso, rising to principal dancer in 1994. In October 1993 and September 1994 he toured with the company to Madrid, where he danced various roles including Albrecht in Giselle, Basilio in Don Quixote and Siegfried in Swan Lake.

At the invitation of Ivan Nagy, Acosta danced with the English National Ballet in London during the 1991/92 season. He made his debut in the Polovtsian Dances from Prince Igor and also appeared in Cinderella, partnering Eva Evdokimova and Ludmila Semenyaka, Le Spectre de la Rose, Les Sylphides and as the Prince in Ben Stevenson's The Nutcracker.

Acosta, of mixed Spanish and African heritage, came to prominence in the early 1990s while still in his teens, and North American and European dance companies began offering him lead romantic roles over the next decade. After five years in Houston, Acosta joined London's Royal Ballet in 1998. With his fabled grace and athleticism, he has earned comparisons to Mikhail Baryshnikov or Rudolf Nureyev. A writer for London's Independent newspaper described Acosta as "a dancer who slashes across space faster than anyone else, who lacerates the air with shapes so clear and sharp they seem to throw off sparks".

From 1989 to 1991, Acosta performed throughout the world guesting with many companies including the Compagnia Teatro Nuovo di Torino in Italy, where he danced alongside Luciana Savignano, and the Teatro Teresa Carreño in Venezuela.

Carlos Yunior Acosta Quesada CBE (born 2 June 1973) is a Cuban ballet dancer. He has danced with many companies including the English National Ballet, National Ballet of Cuba, Houston Ballet and American Ballet Theatre. He was a permanent member of The Royal Ballet between 1998 and 2015. In 2003, he was promoted to Principal Guest Artist, a rank which reduced his commitment, enabling him to concentrate on a growing schedule of international guest appearances and tours. He celebrated his farewell after 17 years at The Royal Ballet, dancing his last performance in November 2015 in Carmen, which he both choreographed and starred in.

Acosta was born in Havana, Cuba, on 2 June 1973, the eleventh and last child in an impoverished family. His father, Pedro Acosta, was a truck driver, and his mother, Dulce Maria Quesada, often suffered from health problems. Acosta grew up with no toys, sometimes went shoeless, and did not even have a birthday cake until he turned 23. The streets of his neighborhood provided plenty of entertainment, however, and he spent his time playing football, break-dancing, and raiding nearby mango groves with his friends. He was an over-energetic child, and his father felt that his youngest son would soon land in serious trouble. Dance training at one of the state-funded schools, his father decided, would teach the boy discipline and provide him with a free lunch every day. He studied ballet at the Cuban National Ballet School with many influential teachers including Ramona de Sáa. In June 1991 he received his diploma with maximum qualifications and a gold medal.