Anne Nagel height - How tall is Anne Nagel?

Anne Nagel (Anna Marie Dolan) was born on 29 September, 1915 in Boston, Massachusetts, USA, is an actress,soundtrack. At 51 years old, Anne Nagel height is 5 ft 4 in (163.0 cm).

Now We discover Anne Nagel's Biography, Age, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is She in this year and how She spends money? Also learn how She earned most of net worth at the age of 51 years old?

Popular As Anna Marie Dolan
Occupation actress,soundtrack
Age 51 years old
Zodiac Sign Libra
Born 29 September 1915
Birthday 29 September
Birthplace Boston, Massachusetts, USA
Date of death 6 July, 1966
Died Place Hollywood, California, USA
Nationality USA

We recommend you to check the complete list of Famous People born on 29 September. She is a member of famous Actress with the age 51 years old group.

Anne Nagel Weight & Measurements

Physical Status
Weight Not Available
Body Measurements Not Available
Eye Color Not Available
Hair Color Not Available

Who Is Anne Nagel's Husband?

Her husband is Lt. James H. Keenan (4 December 1941 - 25 May 1951) ( divorced), Ross Alexander (16 September 1936 - 2 January 1937) ( his death)

Parents Not Available
Husband Lt. James H. Keenan (4 December 1941 - 25 May 1951) ( divorced), Ross Alexander (16 September 1936 - 2 January 1937) ( his death)
Sibling Not Available
Children Not Available

Anne Nagel Net Worth

She net worth has been growing significantly in 2018-19. So, how much is Anne Nagel worth at the age of 51 years old? Anne Nagel’s income source is mostly from being a successful Actress. She is from USA. We have estimated Anne Nagel's net worth, money, salary, income, and assets.

Net Worth in 2020 $1 Million - $5 Million
Salary in 2019 Under Review
Net Worth in 2019 Pending
Salary in 2019 Under Review
House Not Available
Cars Not Available
Source of Income Actress

Anne Nagel Social Network




Her career had evaporated by 1957, and the rest of her years were marred by unhappiness and alcoholism. She died of liver cancer in 1966 at age 50 with no children or surviving relatives.


Ironically, her last film, Armored Car Robbery (1950), a taut, highly regarded little thriller now considered a classic of the genre, was easily the best picture she had done in years, and a good one to go out on. She had married an Army Air Corps officer, James H.


Universal, with whom she was under contract by 1941, placed her in several serials and featured her in several of its lower-rank horror pictures and B westerns. She soon left Universal and struck out on her own, but unfortunately she was able to land roles only at Poverty Row studios such as Republic, Monogram, and the nadir of the film industry, PRC.

Keehan, in 1941, but the marriage was increasingly unhappy and they divorced in 1951. Stories spread about her having an alcohol problem, and she spent the last years of her life virtually penniless.


Became one of Universal's top serial queens of the early 1940s.


Alexander committed suicide in 1937, and it affected Nagel deeply.


Life began to unravel for Nagel in 1936 when she married actor Ross Alexander.


Anne Nagel's life could be summed up in two words: pretty miserable. Born to devoutly religious Bostonian parents who had long encouraged her to become a nun, she had been enrolled in a preparatory school for just that purpose. As a young teenager, she worked part time as a photographer's model, and by her mid-teens she had become more interested in a life in Hollywood than in a convent and had joined a Boston theater company. By this time, her mother had remarried and her new stepfather, a Technicolor expert, had been hired by Tiffany Studios, a bottom-rung Poverty Row studio. The family journeyed to California, and Anne's first film experience was in several Technicolor experimental shorts directed by her stepfather. She soon graduated to features as a dancer. Her striking beauty and pleasant voice made her a natural for talkies. She landed a contract at Warner Brothers and made her film debut in 1932, enjoying a string of steady, if unspectacular, roles in lower- and medium-budget pictures.